S\u00e9rie 25 ud\u00e1lost\u00ed
\nKoncepce Martin Mazanec
\n\u00a0
\nSny na prodej p\u0159edstavuj\u00ed 25 ud\u00e1lost\u00ed, kter\u00e9 se odehr\u00e1vaj\u00ed ka\u017ed\u00fd den po setm\u011bn\u00ed. V\u00fdb\u011br je zam\u011b\u0159en na pohybliv\u00e9 obrazy, kter\u00e9 vznikly v obdob\u00ed od roku 2014 do sou\u010dasnosti. Sp\u00ed\u0161e ne\u017e o tematickou kontextualizaci d\u011bl jde o jejich sb\u011br v r\u00e1mci \u010desk\u00e9ho prost\u0159ed\u00ed. Sny na prodej v mnoh\u00e9m navazuj\u00ed na zp\u016fsob mapov\u00e1n\u00ed pohybliv\u00fdch obraz\u016f, kter\u00e9mu se ji\u017e des\u00e1t\u00fdm rokem v\u011bnuje sekce Jin\u00e9 vize v r\u00e1mci olomouck\u00e9ho festivalu PAF. Nam\u00edsto p\u0159\u00edm\u00e9 konfrontace vybran\u00fdch d\u011bl jejich vystaven\u00edm nebo prezentac\u00ed v kinos\u00e1le bude ka\u017ed\u00e9 d\u00edlo p\u0159edstaveno samostatn\u011b b\u011bhem jednoho z 25 dn\u00ed.<\/p>\n
N\u00e1zev p\u00e1sma je p\u0159ejat z filmu\u00a0Dreams That Money Can Buy (1947), kter\u00fd nato\u010dil v americk\u00e9m exilu n\u011bmeck\u00fd um\u011blec Hans Richter. T\u00edmto d\u00edlem je n\u011bkdy vymezov\u00e1n pomysln\u00fd konec klasick\u00e9 (prvn\u00ed) avantgardy. Na filmu se autorsky pod\u00edlela i \u0159ada dal\u0161\u00edch um\u011blc\u016f \u2013 Alexander Calder, Marcel Duchamp, Max Ernst, Fernand L\u00e9ger nebo Man Ray \u2013 jejich p\u0159\u00edstup k pohybliv\u00e9mu obrazu v r\u00e1mci filmu ilustruje i st\u00e1le aktu\u00e1ln\u00ed d\u011blen\u00ed mezi voln\u00fdm tv\u016fr\u010d\u00edm nakl\u00e1d\u00e1n\u00edm s materi\u00e1lem k z\u00e1znamu obrazu \u2013 nebo naopak cizelov\u00e1n\u00edm form\u00e1tu projekce a pota\u017emo cel\u00e9ho d\u00edla jako sou\u010d\u00e1sti kinematografie.
\n\u00a0
\n16.3. Martin Bla\u017e\u00ed\u010dek, Sign\u00e1ly\/ Signals, 14:30 min, 2014
\n17.3. Ivan Svoboda, Tourist on The Shore of the Water Reservoir, 6:23 min, 2014
\n18.3. Veronika Vlkov\u00e1 & Jan \u0160r\u00e1mek, Ztr\u00e1cen\u00ed\/ Vanishing, smy\u010dka\/ loop, 2015
\n19.3. Marie H\u00e1jkov\u00e1 & Petr \u0160princl, Blue Box, 20 min, 2014
\n20.3. Pavel Ry\u0161ka, P\u0159e\u017eitky, 4:23, 4:07, 2:31 min, 2014
\n21.3. Krist\u00fdna Nytrov\u00e1, Jon Rafman is a 16 year old girl, 5:34 min, 2016
\n22.3. David P\u0159\u00edlu\u010d\u00edk, En plein air 2, 237 min, 2015
\n23.3. Laura Victoria Delgado, Herbarium, 6 min, 2014\u00a0
\n24.3. Martin Zv\u011b\u0159ina, Pillars, smy\u010dka, instalace\/ loop, installation, 2016
\n25.3. Mat\u011bj Smetana, Divadlo 1\/ Theatre 1, 23 min, 2015
\n26.3. Alex Mor\u00e1lesov\u00e1, Blau Peru 1979-1980, \u017eiv\u00fd film\/ still movie, 45 min, 2015
\n27.3. Dominik Gajarsk\u00fd, White Rhino, smy\u010dka 16 mm\/ loop 16 mm, 2015
\n28.3. Martin Kohout, Designed Encounters, smy\u010dka\/ loop, 2015
\n29.3. Zuzana \u017dabkov\u00e1, Snake on the Footpath, 4:49 min, 2016
\n30.3. Martin Hrub\u00fd, Resort, 26 min, video, 2014
\n1.4. Martina Hol\u00e1, La Photo du colonel, 4:00 min, 2015
\n2.4. Katar\u00edna Hl\u00e1dekov\u00e1, Ano, ano. Ne, ne.\/ Yes, yes. No, no., smy\u010dka\/ loop, 2016
\n3.4.\u00a0Mat\u011bj Al-Ali, Denn\u00ed pr\u00e1ce\/ Dailies, 11:46 min, 2015
\n4.4. Barbora Kleinhamplov\u00e1 & Zbyn\u011bk Baladr\u00e1n
\n5.4. Miroslava Ve\u010de\u0159ov\u00e1 & Pavel P\u0159\u00edkazsk\u00fd, Inner Monologue, smy\u010dka\/ loop, 2016
\n6.4. Lucie Rosenfeldov\u00e1, Polymind, 8:05 min, 2016
\n7.4. Petr Kr\u00e1tk\u00fd & Viktor Tak\u00e1\u010d, Horizont ud\u00e1lost\u00ed, 169 imn, performance, 2016
\n8.4. Franti\u0161ek T\u00fdmal, N\u00e1vrat dinosaur\u016f, 70 mm, 10-18 min, 2015
\n9.4. Roman \u0160t\u011btina, Adorama, smy\u010dka\/loop, 2016
\n10.4. Anna Slama & Marek Delong, inequality, smy\u010dka\/ loop, 2016<\/p>","protected":false},"excerpt":{"rendered":"
S\u00e9rie 25 ud\u00e1lost\u00ed Koncepce Martin Mazanec \u00a0 Sny na prodej p\u0159edstavuj\u00ed 25 ud\u00e1lost\u00ed, kter\u00e9 se odehr\u00e1vaj\u00ed ka\u017ed\u00fd den po setm\u011bn\u00ed. […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[19,4],"tags":[],"class_list":["post-1083","post","type-post","status-publish","format-standard","hentry","category-exhibitions-homepage","category-exhibitions","wpautop"],"acf":[],"_links":{"self":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts\/1083","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/comments?post=1083"}],"version-history":[{"count":6,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts\/1083\/revisions"}],"predecessor-version":[{"id":1089,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts\/1083\/revisions\/1089"}],"wp:attachment":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/media?parent=1083"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/categories?post=1083"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/tags?post=1083"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}