Mil\u00e1 Pavlo,
\nv\u010dera jsem stra\u0161liv\u011b poho\u0159ela. Sna\u017eila jsem se popsat rukama n\u011bco, co nedok\u00e1\u017eu vyj\u00e1d\u0159it slovy, jeden p\u0159edm\u011bt, kter\u00fd jsem si zapamatovala, u\u017e jsem ho nikdy nevid\u011bla a od t\u00e9 dob\u011b v\u011bzel hluboko v m\u00e9 pam\u011bti. Pamatuji si, jak odr\u00e1\u017eel sv\u011btlo, jak\u00fd byl na dotek a\u00a0jak byl t\u011b\u017ek\u00fd, ale nic z\u00a0toho se mi neda\u0159ilo vyj\u00e1d\u0159it, zbyla pouze m\u00e1 rozm\u00e1chl\u00e1 gesta. B\u011bhem t\u00e9to manu\u00e1ln\u00ed choreografie jsem za\u010dala p\u0159em\u00fd\u0161let, jestli existuje souvislost mezi prostorov\u00fdmi gesty a pam\u011bt\u00ed. Pro\u010d se sna\u017e\u00edme rukama popsat komplikovan\u00e9 konstrukce, hmatov\u00e9 pro\u017eitky a\u00a0prostorov\u00e9 vztahy?
\nJako by \u201emluven\u00ed rukama\u201c bylo zvykem spole\u010dn\u00fdm v\u0161em lidem. Ka\u017ed\u00e1 kultura se jeho pomoc\u00ed sna\u017e\u00ed podpo\u0159it \u010di zd\u016fraznit informace, kter\u00e9 jsou sou\u010d\u00e1st\u00ed komunikace. Rukama gestikulujeme, i kdy\u017e se potk\u00e1me ve tm\u011b \u010di telefonujeme, a mo\u017en\u00e1 to pr\u00e1v\u011b d\u011bl\u00e1 i n\u011bkdo na druh\u00e9 stran\u011b ulice.
\nJako by existoval slo\u017eit\u00fd propletenec pam\u011bti, kognitivn\u00edch schopnost\u00ed, jazyka a\u00a0lidsk\u00e9 schopnosti vizualizace \u2013 nejen skrze obrazy \u010di \u0159e\u010d, ale tak\u00e9 pomoc\u00ed prostoru. Studie z\u00a0oblasti psychologie, neurov\u011bd, sociologie a\u00a0dal\u0161\u00edch humanitn\u00edch obor\u016f, jako je nap\u0159\u00edklad architektura, se zam\u011b\u0159uj\u00ed na tento aspekt trojrozm\u011brn\u00e9 zku\u0161enosti a\u00a0na jeho souvislost s\u00a0ostatn\u00edmi rejst\u0159\u00edky vn\u00edm\u00e1n\u00ed, jako je pozorov\u00e1n\u00ed \u010di vizu\u00e1ln\u00ed zn\u00e1zor\u0148ov\u00e1n\u00ed. Zaj\u00edmalo by m\u011b, zda si to uv\u011bdomujeme, kdy\u017e vn\u00edm\u00e1me sv\u00e9 okol\u00ed \u010di um\u011bleck\u00e9 d\u00edlo, obzvl\u00e1\u0161t\u011b socha\u0159sk\u00e9. O\u010dima si prohl\u00ed\u017e\u00edme povrch prostoru a\u00a0jednotliv\u00fdch p\u0159edm\u011bt\u016f, prost\u0159ednictv\u00edm smysl\u016f a\u00a0t\u011blesn\u00e9 p\u0159\u00edtomnost\u00ed sd\u00edl\u00edme p\u0159\u00edtomn\u00fd okam\u017eik, a\u00a0p\u0159esto je v\u00fdsledkem pouh\u00fd obraz, ploch\u00e1 vzpom\u00ednka v na\u0161\u00ed mysli. Co by se stalo, kdybychom tyto obrazy op\u011bt o\u017eivili, navr\u00e1tili jim hmatatelnou p\u0159\u00edtomnost v prostoru, pokusili se je uchopit a vypr\u00e1v\u011bt jejich p\u0159\u00edb\u011bh \u2013 k\u00a0tomu bychom v\u0161ak z\u0159ejm\u011b op\u011bt pot\u0159ebovali pomoc na\u0161ich rukou.
\nSe srde\u010dn\u00fdm pozdravem Alexandra<\/p>\n
Drdova Gallery p\u0159edstavuje novou tvorbu Pavly Scerankov\u00e9 pod n\u00e1zvem Veritas. V\u00fdstava nab\u00edz\u00ed celou \u0159adu prac\u00ed od kinetick\u00fdch soch po site specific instalace zam\u011b\u0159en\u00fdch na vztah mezi prostorov\u00fdm zn\u00e1zorn\u011bn\u00edm a vn\u00edm\u00e1n\u00edm. Dynamika a\u00a0mo\u017enosti vizualizace p\u0159edstavuj\u00ed \u010dervenou nit, kter\u00e1 se t\u00e1hne cel\u00fdm d\u00edlem Scerankov\u00e9. Vztahuje se k\u00a0v\u011bdeck\u00fdm abstraktn\u00edm model\u016fm, jako jsou kosmick\u00e9 sr\u00e1\u017eky, ale i\u00a0ke konkr\u00e9tn\u011bj\u0161\u00edm p\u0159\u00edklad\u016fm, jako je rozpozn\u00e1v\u00e1n\u00ed lidsk\u00fdch postav. Um\u011blkyn\u011b tyto poznatky do sv\u00e9 tvorby vn\u00e1\u0161\u00ed v\u00a0podob\u011b juxtapozice abstraktn\u00edch form\u00e1ln\u00edch konstrukc\u00ed a\u00a0rozpoznateln\u00fdch ready-made materi\u00e1l\u016f, jako jsou \u017eidle \u010di porcel\u00e1nov\u00e9 \u0161\u00e1lky. V\u00fdsledkem jsou d\u00edla na pomez\u00ed sochy a\u00a0instalace, kter\u00e1 aktivn\u011b p\u016fsob\u00ed na div\u00e1kovo vn\u00edm\u00e1n\u00ed a\u00a0p\u0159edstavivost. U\u00a0p\u0159\u00edle\u017eitosti v\u00fdstavy Veritas vedly Pavla Scerankov\u00e1 a\u00a0kur\u00e1torka Alexandra Landr\u00e9 dialog o\u00a0um\u011bleck\u00e9 praxi a\u00a0o\u00a0ot\u00e1zk\u00e1ch a t\u00e9matech t\u00fdkaj\u00edc\u00edch se vztahu mezi vizualizac\u00ed, prostorov\u00fdmi strategiemi a\u00a0form\u00e1ln\u00edmi aspekty socha\u0159stv\u00ed. V\u00fdsledkem t\u00e9to spolupr\u00e1ce bude publikace zve\u0159ejn\u011bn\u00e1 po skon\u010den\u00ed v\u00fdstavy.<\/p>\n
Pavla Scerankov\u00e1 (1980) studovala v\u00a0letech 2000-2006 na Akademii v\u00fdtvarn\u00fdch um\u011bn\u00ed v\u00a0Praze, kde v roce 2011 \u00fasp\u011b\u0161n\u011b ukon\u010dila doktorsk\u00e9 studium. V\u00a0r\u00e1mci stipendijn\u00edch pobyt\u016f absolvovala ro\u010dn\u00ed st\u00e1\u017e u\u00a0prof. Tony Cragga v\u00a0Berl\u00edn\u011b. V\u00a0leto\u0161n\u00edm roce byla podruh\u00e9 nominov\u00e1na na Cenu Jind\u0159icha Chalupeck\u00e9ho (poprv\u00e9 2007). Obdr\u017eela Cenu V\u00e1clava Chada na Zl\u00ednsk\u00e9m Salonu mlad\u00fdch (2009) a\u00a0Cypri\u00e1novu cenu na trnavsk\u00e9m Bien\u00e1le (2007). Svou tvorbu p\u0159edstavila na \u0159ad\u011b autorsk\u00fdch v\u00fdstav ve Fait gallery (2015), Moravsk\u00e9 galerii (2014), Galerii hl. m\u011bsta Prahy (2013), Drdova Gallery (2012), Cyprian Majernik gallery v\u00a0Bratislav\u011b (2011), nebo v\u00a0Dom\u011b um\u011bn\u00ed m\u011bsta Brna (2009). Byla p\u0159izv\u00e1na ke\u00a0skupinov\u00e9 v\u00fdstav\u011b nejaktu\u00e1ln\u011bj\u0161\u00edho evropsk\u00e9ho um\u011bn\u00ed Europe Europe v\u00a0Astrup Fearnley Museum v Oslu (2014) a\u00a0v\u00fdstav\u011b Model v\u00a0galerii Rudolfinum (2015).<\/p>\n
Alexandra Landr\u00e9 je kur\u00e1torka a\u00a0histori\u010dka um\u011bn\u00ed zam\u011b\u0159uj\u00edc\u00ed se na sou\u010dasn\u00e9 um\u011bn\u00ed, nov\u00e1 m\u00e9dia a\u00a0ve\u0159ejn\u00fd prostor. Obzvl\u00e1\u0161t\u011b se zaj\u00edm\u00e1 o\u00a0um\u011bleckou praxi, kter\u00e1 p\u0159ekra\u010duje hranice mezi jednotliv\u00fdmi discipl\u00ednami, pracuje s\u00a0v\u00fdzkumn\u00fdmi strategiemi a\u00a0zkoum\u00e1 vztah mezi um\u011bn\u00edm, v\u0161edn\u00edm \u017eivotem a\u00a0\u201eve\u0159ejnost\u00ed\u201c. \u010casto spolupracuje s um\u011blci a\u00a0realizuje projekty v r\u00e1mci nejr\u016fzn\u011bj\u0161\u00edch iniciativ a\u00a0instituc\u00ed, jako je Kunsthalle M\u00fcnster (DE), Stedelijk Museum Bureau (NL) \u010di Kunsthalle Wien (AT). Alexandra Landr\u00e9 rovn\u011b\u017e \u010dasto p\u0159isp\u00edv\u00e1 do publikac\u00ed a\u00a0p\u016fsob\u00ed jako lektorka na Kr\u00e1lovsk\u00e9 akademii um\u011bn\u00ed v Haagu. \u017dije v\u00a0Amsterdamu.<\/p>","protected":false},"excerpt":{"rendered":"
Mil\u00e1 Pavlo, v\u010dera jsem stra\u0161liv\u011b poho\u0159ela. Sna\u017eila jsem se popsat rukama n\u011bco, co nedok\u00e1\u017eu vyj\u00e1d\u0159it slovy, jeden p\u0159edm\u011bt, kter\u00fd jsem […]<\/p>\n","protected":false},"author":2,"featured_media":834,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[19,4],"tags":[],"class_list":["post-1104","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibitions-homepage","category-exhibitions","wpautop"],"acf":[],"_links":{"self":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts\/1104","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/comments?post=1104"}],"version-history":[{"count":5,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts\/1104\/revisions"}],"predecessor-version":[{"id":1720,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts\/1104\/revisions\/1720"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/media\/834"}],"wp:attachment":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/media?parent=1104"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/categories?post=1104"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/tags?post=1104"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}