Cyklu \u010cas a prost\u0159ed\u00ed se Michal \u0160koda v\u011bnuje od roku 2011 (vedle je\u0161t\u011b osobn\u011bj\u0161\u00edch Records, autorsk\u00fdch knih a dal\u0161\u00edch projekt\u016f). Z\u00e1znamy vznikaj\u00edc\u00ed v \u0159\u00e1du a pravidelnosti pr\u00e1ce v ateli\u00e9ru, mu slou\u017e\u00ed jako vizu\u00e1ln\u00ed z\u00e1pisn\u00edk. P\u0159ev\u00e1\u017en\u011b \u010dernob\u00edl\u00e9 kresby, kol\u00e1\u017ee a fotografie jsou \u00fasporn\u00e9 ve v\u00fdrazu, ale i tak maj\u00ed materi\u00e1lov\u00e9, a\u017e haptick\u00e9 kvality; obrazov\u00e9 sd\u011blen\u00ed n\u011bkdy dopl\u0148uje nebo nahrazuje text.<\/p>\n
Prvky, z nich\u017e autor skl\u00e1d\u00e1 celek, s\u00e1m ozna\u010duje slovem ka\u017edodennost. Vyjevuje ji zejm\u00e9na prost\u0159ednictv\u00edm reflexe architektury, respektive otisku \u010dlov\u011bka (autora) v prostoru. Architektonick\u00fd prostor nezkoum\u00e1 kriticky, aby uk\u00e1zal limity nebo naopak aktu\u00e1lnost odkazu moderny. Je ne\u010dasov\u00fd, p\u0159esto ukotven\u00fd v estetice, kter\u00e1 p\u0159in\u00e1\u0161\u00ed \u010dist\u00e9, velkorys\u00e9 stavby om\u00edtnut\u00e9 na b\u00edlo nebo zbudovan\u00e9 z pohledov\u00e9ho betonu. Architektura je pro Michala \u0160kodu m\u00edstem usebr\u00e1n\u00ed. P\u0159em\u00fd\u0161l\u00ed o vlastn\u00ed pozici mezi jin\u00fdmi a o vymezen\u00ed v prost\u0159ed\u00ed, kter\u00e9 je \u010dlov\u011bku ur\u010den\u00e9. \u201ePraktick\u00fd prostor\u201c ka\u017edodenn\u00edho \u017eivota p\u0159em\u011b\u0148uje v cyklu v \u201eprostor reprezentac\u00ed\u201c (Henri Lefebvre) na z\u00e1klad\u011b sv\u00e9ho pohybu, pozorov\u00e1n\u00ed a zku\u0161enosti.<\/p>\n
Vedle prostoru-prost\u0159ed\u00ed je v cyklu obsa\u017een tak\u00e9 dvoj\u00ed \u010das. Proti \u010dasu vznik\u00e1n\u00ed, kter\u00fd m\u016f\u017ee b\u00fdt pro autora v p\u0159\u00edpad\u011b n\u00e1ro\u010dn\u00fdch kreseb a\u017e ur\u010dit\u00fdm druhem meditace, stoj\u00ed \u010das prohl\u00ed\u017een\u00ed-listov\u00e1n\u00ed. Oba jsou stejn\u011b intimn\u00ed a stejn\u011b neopakovateln\u00e9, pro um\u011blce i pro div\u00e1ka. Pokusem o zachycen\u00ed pocitu z prohl\u00ed\u017een\u00ed prac\u00ed na pap\u00ed\u0159e je projekce fotografi\u00ed jednotliv\u00fdch slo\u017eek cyklu, kter\u00e9 po\u0159\u00eddili Alexandra Vajd a Hynek Alt. Anonymn\u00ed ruka postupn\u011b odkr\u00fdv\u00e1 chronologicky uspo\u0159\u00e1dan\u00e9 listy vznikl\u00e9 b\u011bhem jednoho roku, jakoby odhalovala sedimenty nebo archeologick\u00e9 vrstvy. Je sd\u011blen\u00ed o m\u00edjej\u00edc\u00edm \u010dase p\u0159enosn\u00e9 a d\u00e1 se zp\u011btn\u011b zrekonstruovat? Kolik z\u016fstane, kolik se ztrat\u00ed a co vznikne nov\u00e9ho?
\n\u00a0
\nTerezie Nekvindov\u00e1
\n\u00a0
\nPROPROJEKT
\n\u00a0
\n\u010cAS A PROST\u0158ED\u00cd
\nz\u00e1znam 2011 \/ 2
\n\u00a0
\nProjekt s p\u0159irozenou n\u00e1vaznost\u00ed na m\u00e9 dlouhodob\u00e9 sm\u011b\u0159ov\u00e1n\u00ed.<\/p>\n
V tuto chv\u00edli \/ v\u00edcem\u00e9n\u011b \/ \u010dasov\u011b neomezen s p\u0159edpokl\u00e1dan\u00fdmi \/ \u010d\u00e1ste\u010dn\u011b rozli\u010dn\u00fdmi \/ v\u00fdstupy v pr\u016fb\u011bhu jeho trv\u00e1n\u00ed<\/p>\n
Pohyb v re\u00e1ln\u00e9m \u010dase a prost\u0159ed\u00ed \/ tak\u00e9 v r\u00e1mci cest, pozn\u00e1v\u00e1n\u00ed, srovn\u00e1v\u00e1n\u00ed\u2026..\/<\/p>\n
\u010cas a zp\u016fsob – jak lze ch\u00e1pat prostor \u2013 vn\u00edm\u00e1n\u00ed prostoru<\/p>\n
Ka\u017edodennost a jej\u00ed stopy.<\/p>\n
Ur\u010dit\u00fd archiv pam\u011bti \/ my\u0161len\u00ed \/ v souladu s ur\u010ditou anal\u00fdzou prost\u0159ed\u00ed \/ se v\u0161\u00edm, co nab\u00edz\u00ed \/ – prost\u0159ednictv\u00edm nej\u00fasporn\u011bj\u0161\u00edch prost\u0159edk\u016f\u2026\/pap\u00edr, kol\u00e1\u017e, fotka, kresba, tisk\u2026.\/ vznik z\u00e1znam\u016f
\nKontrast jednoduchosti s mno\u017estv\u00edm \u00farovn\u00ed v nich\u017e lze \u010d\u00edst,
\nVztah mezi re\u00e1ln\u00fdm a um\u011bl\u00fdm. Nab\u00edz\u00ed se ot\u00e1zka autenticity toho, co vid\u00edme, pro\u017e\u00edv\u00e1me, co n\u00e1s oslovuje, ovliv\u0148uje\u2026<\/p>\n
Prostor \/ prost\u0159ed\u00ed..\/ – jak je vn\u00edm\u00e1na trojrozm\u011brnost, jak lze vn\u00edmat prostor dvojrozm\u011brn\u00fd – vn\u00edm\u00e1n\u00ed jeho plochosti, rozli\u0161ov\u00e1n\u00ed povrch\u016f, jak mo\u017eno uspo\u0159\u00e1dat \/ libovoln\u011b \/ a kategorizovat smyslov\u00e9 vn\u00edm\u00e1n\u00ed ploch a barev etc\u2026\u2026.<\/p>\n
Vztahy \u201emezi\u201c \u2013 d\u00edv\u00e1n\u00ed \u2013 vn\u00edm\u00e1n\u00ed \u2013 zobrazen\u00ed<\/p>\n
Vznik fyzick\u00fdch z\u00e1\u017eitk\u016f v souladu se vzpom\u00ednkou \/ ment\u00e1ln\u00ed prostory \/
\n\u00a0
\nZaj\u00edm\u00e1 mne den\u00edkov\u00fd charakter z\u00e1znamu, kde stoj\u00ed mezera \u201emezi\u201c – v\u011bc\u00ed a na\u0161im vn\u00edm\u00e1n\u00edm t\u00e9to v\u011bci \/ m\u016f\u017ee t\u00edm b\u00fdt kus pap\u00edru, stejn\u011b jako monument\u00e1ln\u00ed \u010di nepatrn\u00e9 architektury\u2026\/<\/p>\n
Co vytv\u00e1\u0159\u00ed prost\u0159ed\u00ed, co jej naru\u0161uje<\/p>\n
Subjektivita v \u010dase a prost\u0159ed\u00ed \u2013 konkr\u00e9tnost versus fikce<\/p>\n
P\u0159edstava o obrazu a slovu, prostoru a my\u0161len\u00ed, v\u00fdstav\u011b a knize
\n\u00a0
\nVznikne prostor s intervenc\u00ed vyb\u00edzej\u00edc\u00ed k \u00favah\u00e1m, ne odpov\u011b\u010f, ale z\u00e1znam \u201efaktu\u201c \u2013 my\u0161lenek, pochybnost\u00ed a ot\u00e1zek.<\/p>","protected":false},"excerpt":{"rendered":"
Cyklu \u010cas a prost\u0159ed\u00ed se Michal \u0160koda v\u011bnuje od roku 2011 (vedle je\u0161t\u011b osobn\u011bj\u0161\u00edch Records, autorsk\u00fdch knih a dal\u0161\u00edch projekt\u016f). Z\u00e1znamy vznikaj\u00edc\u00ed […]<\/p>\n","protected":false},"author":2,"featured_media":992,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[19,4],"tags":[],"class_list":["post-1156","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibitions-homepage","category-exhibitions","wpautop"],"acf":[],"_links":{"self":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts\/1156","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/comments?post=1156"}],"version-history":[{"count":6,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts\/1156\/revisions"}],"predecessor-version":[{"id":1683,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts\/1156\/revisions\/1683"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/media\/992"}],"wp:attachment":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/media?parent=1156"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/categories?post=1156"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/tags?post=1156"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}