ZA FOTOGRAFI\u00cd: Hotel Zenit<\/p>\n
„It seems to me, for example, that peas have relations of similitude, both visible (their color, their shape, their size) and invisible (their nature, their taste, their weight).“ (z dopisu Ren\u00e9 Magritta adresovan\u00e9ho Michelu Foucaultovi, 23. 5. 1966)<\/p>\n
V obraze Toto nen\u00ed d\u00fdmka, jeho\u017e v\u00fdznamem se ve stejnojmenn\u00e9m a nem\u00e9n\u011b slavn\u00e9m \u010dl\u00e1nku zab\u00fdval Michel Foucault, vyu\u017eil Ren\u00e9 Magritte zneji\u0161\u0165uj\u00edc\u00ed kombinaci textov\u00e9ho a obrazov\u00e9ho sd\u011blen\u00ed. Naopak, krabi\u010dka ozna\u010den\u00e1 n\u00e1pisem hr\u00e1ch (pro jistotu v n\u011bkolika jazyc\u00edch) jakoby sd\u011blovala: toto je opravdu to, co to je. Jestli\u017ee se ale zam\u011b\u0159\u00edme pouze na fotografii na obale, najednou se cel\u00e1 p\u0159esv\u011bd\u010div\u011bp\u016fsob\u00edc\u00ed konstrukce m\u016f\u017ee zhroutit, a dojdeme k z\u00e1v\u011bru, \u017ee toto nen\u00ed hr\u00e1ch. Na z\u00e1klad\u011b dostupn\u00e9 vizu\u00e1ln\u00ed informace pouze p\u0159edpokl\u00e1d\u00e1me, \u017ee barva, tvar a velikost hrachu v krabi\u010dce bude odpov\u00eddat barv\u011b, tvaru a velikosti hrachu na fotografii. (Ponechme stranou, \u017ee se nic nedozv\u00edme nap\u0159. o tom, jak hr\u00e1ch chutn\u00e1.)<\/p>\n
Hotel Zenit odkazuje k uzav\u0159en\u00e9mu sv\u011btu, kter\u00fd funguje podle vlastn\u00edch pravidel. P\u0159ed vchodem symbolicky vlaj\u00ed prapory, v jejich\u017ebarevnosti se odr\u00e1\u017e\u00ed minulost: ani\u017e by vznikal konkr\u00e9tn\u00ed obraz, zaznamen\u00e1v\u00e1 citliv\u00e1 barevn\u00e1 emulze fotografick\u00e9ho pap\u00edru pr\u016fb\u011bh d\u011bje, jin\u00fdmi slovy zobrazuje t\u00edm,\u017ee vystavena sv\u011btlu, st\u00e1rne. Jinde se zastaven\u00edm nekone\u010dn\u00e9ho pohybu mo\u0159e vytr\u00e1c\u00ed to, co od zobrazen\u00ed mo\u0159e o\u010dek\u00e1v\u00e1me. Rytmus mo\u0159sk\u00fdch vln je mo\u017en\u00e9 zaznamenat pouze v meze\u0159e mezi dv\u011bma fotografiemi: jako n\u011bco, co je p\u0159\u00edtomn\u00e9, p\u0159esto\u017ee samo o sob\u011b zobrazen\u00ed unik\u00e1.<\/p>\n
Pokud jsme ve vystaven\u00fdch d\u00edlech schopni vysledovat z\u00e1jem o odhalov\u00e1n\u00ed podstaty fotografick\u00e9ho obrazu, m\u016f\u017eeme j\u00edt d\u00e1le, za tento z\u00e1jem, za fotografie, tedy vn\u00edmat jejich dekonstrukci ne jako smysl celku, ale pouze jako jeden z n\u00e1stroj\u016f. Je fotografie t\u00edm, co ukazuje? Respektive je to, co fotografie ukazuje, fotografi\u00ed? Hora na fotografii nen\u00ed hora, je to kr\u00e1sn\u00fd obraz hory. Jinde to nen\u00ed kv\u011btina, ale obraz kv\u011btiny. Dokonce: nen\u00ed to ani obraz kv\u011btiny, ale vrstven\u00e1 konstrukce obrazu, kter\u00fd se realizuje a\u017ev mysli div\u00e1ka.<\/p>\n
(Zbytky list\u00ed na strom\u011b za oknem jsou v \u0161ikm\u00e9m poledn\u00edm slunci mnohem \u017elut\u011bj\u0161\u00ed, ne\u017e stejn\u00e9 list\u00ed v poledn\u00edm slunci jinde.)<\/p>\n
Hana Buddeus<\/p>","protected":false},"excerpt":{"rendered":"
ZA FOTOGRAFI\u00cd: Hotel Zenit „It seems to me, for example, that peas have relations of similitude, both visible (their color, […]<\/p>\n","protected":false},"author":2,"featured_media":1014,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[19,4],"tags":[],"class_list":["post-1162","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibitions-homepage","category-exhibitions","wpautop"],"acf":[],"_links":{"self":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts\/1162","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/comments?post=1162"}],"version-history":[{"count":5,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts\/1162\/revisions"}],"predecessor-version":[{"id":1167,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts\/1162\/revisions\/1167"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/media\/1014"}],"wp:attachment":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/media?parent=1162"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/categories?post=1162"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/tags?post=1162"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}