Nov\u00e1 galerie sou\u010dasn\u00e9ho um\u011bn\u00ed Drdova Gallery zahajuje sv\u016fj provoz v\u00fdstavou \u010desk\u00e9ho um\u011blce Jana Pfeiffera.<\/p>\n
V\u00fdstava N\u011bkter\u00e9 v\u011bci unikaj\u00ed je v\u00fdpov\u011bd\u00ed o v\u011bcech, kter\u00e9 se d\u011bj\u00ed. \u010clov\u011bk \u010dasto uva\u017euje o jejich konstelaci, i kdy\u017e je schopen vn\u00edmat jen vz\u00e1jemn\u00e9 vztahy. Vnit\u0159n\u00edm smyslem je ona snaha tyto v\u011bci zachytit v \u010dase a i ot\u00e1zka, pro\u010d je vlastn\u011b cht\u00edt uchopit. My\u0161lenkov\u00e1 linie o hled\u00e1n\u00ed v\u011b\u010dn\u00fdch pravd se prolnula ve v\u00fdpov\u011b\u010f um\u011blce o vztahu k bl\u00edzk\u00e9 osob\u011b, v kontextu tvaroslov\u00ed historie i form\u00e1ln\u00edch prvc\u00edch.<\/p>\n
Z\u00e1kladn\u00edm motivem je princip p\u0159\u00edmky a lidsk\u00e1 v\u016fle, kter\u00e1 ji m\u011bn\u00ed. V prvn\u00ed m\u00edstnosti se nach\u00e1z\u00ed uzav\u0159en\u00fd objekt p\u0159ipom\u00ednaj\u00edc\u00ed z\u00edtku, kter\u00fd nese form\u00e1ln\u00ed prostorovou informaci o tom, kde \u010dlov\u011bk stoj\u00ed. Na z\u00e1klad\u011b optick\u00e9 iluze horizont\u00e1ln\u00edch linek doch\u00e1z\u00ed k\u00a0ment\u00e1ln\u00edmu pohybu div\u00e1ka. Paralela linie se ukazuje i ve fotografii, na kter\u00e9 ruce star\u00e9ho mu\u017ee m\u011bn\u00ed jej\u00ed tvar.<\/p>\n
P\u0159edznamenan\u00fd \u201ev\u00edt\u011bzn\u00fd oblouk\u201c se d\u00e1le objevuje ve videu, kde sv\u011bteln\u00e1 stopa obch\u00e1z\u00ed vnit\u0159n\u00ed empirick\u00fd tvar oblouku a o\u017eivuje tak jeho historickou reminiscenci. Z\u00e1rove\u0148 div\u00e1k s\u00e1m proch\u00e1z\u00ed obdobnou branou, jen\u017e je vyj\u00e1d\u0159en\u00edm fyzick\u00e9ho i ment\u00e1ln\u00edho \u00fasil\u00ed star\u00e9ho mu\u017ee, kter\u00fd p\u0159etv\u00e1\u0159\u00ed pomysln\u00fd horizont.<\/p>\n
V\u00a0instalaci Jana Pfeiffera se div\u00e1k ocit\u00e1 t\u00e9matu jak fyzicky bl\u00edzko, kdy\u017e proch\u00e1z\u00ed prostorem a vn\u00edm\u00e1 prom\u011bnu tvaru, tak z\u00e1rove\u0148 pozoruje vlastn\u00ed virtualizaci obrazu p\u0159ed sebou. Tento obraz vypr\u00e1v\u00ed o podobenstv\u00ed lidsk\u00e9 v\u016fle a odkazu otc\u016f, kter\u00e9 m\u011bn\u00ed d\u011bjiny.
\n\u00a0
\nHenry Wool, Arcus Triumphalis, or, The Analysis of Vaulting, Edinburgh: Isaac and Sons 1755, s. 122\u2013123<\/p>\n
\u201eKapitola XLI: O zaoblen\u00ed jako z\u00e1kladu elegance<\/p>\n
Jak uk\u00e1zal ve sv\u00e9m spisu Hogarth, elegantn\u00ed linie nevznikne bez schopnosti vnutit j\u00ed plynul\u00e9 a pravideln\u00e9 zaoblen\u00ed. Zapomn\u011bl ale dodat, \u017ee oblouk je prvn\u00edm a z\u00e1kladn\u00edm elementem ka\u017ed\u00e9 elegantn\u00ed linie. Projevem skute\u010dn\u00e9ho lidsk\u00e9ho um\u011bn\u00ed a z\u00e1rove\u0148 moci lidsk\u00e9 v\u016fle je vnutit hmotn\u00fdm v\u011bcem okolo n\u00e1s formu, kter\u00e1 koresponduje s ide\u00e1ln\u00ed p\u0159edstavou, je\u017e jsme si vyty\u010dili v mysli. Skoro ka\u017ed\u00e9 zv\u00ed\u0159e dok\u00e1\u017ee hrubou silou zni\u010dit \u010di zdeformovat to, co je nep\u0159esahuje hmotnost\u00ed ani velikost\u00ed. Jenom \u010dlov\u011bk v\u0161ak dok\u00e1\u017ee sv\u00e9 s\u00edly vyu\u017e\u00edt k zast\u0159en\u00ed stop sv\u00e9ho kon\u00e1n\u00ed. V\u00fdsledek je pak dokonalej\u0161\u00ed ne\u017e cokoli, co je k vid\u011bn\u00ed v divok\u00e9 p\u0159\u00edrod\u011b. Nebo\u0165 i po stalet\u00ed obru\u0161ovan\u00e9 obl\u00e1zky na b\u0159ehu mo\u0159e nevykazuj\u00ed tak pravideln\u00e9 zaoblen\u00ed jako v\u00fdsledky lidsk\u00e9 zru\u010dnosti. […] Ne nadarmo sta\u0159\u00ed \u0158\u00edman\u00e9 zv\u011b\u010d\u0148ovali sv\u00e9 v\u00e1le\u010dn\u00e9 \u00fasp\u011bchy vzty\u010den\u00edm oblouk\u016f.\u201c<\/p>\n
Autorem citace:\u00a0Jakub Stejskal Nov\u00e1 galerie sou\u010dasn\u00e9ho um\u011bn\u00ed Drdova Gallery zahajuje sv\u016fj provoz v\u00fdstavou \u010desk\u00e9ho um\u011blce Jana Pfeiffera. V\u00fdstava N\u011bkter\u00e9 v\u011bci unikaj\u00ed je v\u00fdpov\u011bd\u00ed […]<\/p>\n","protected":false},"author":2,"featured_media":1035,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[19,4],"tags":[],"class_list":["post-1176","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibitions-homepage","category-exhibitions","wpautop"],"acf":[],"_links":{"self":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts\/1176","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/comments?post=1176"}],"version-history":[{"count":2,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts\/1176\/revisions"}],"predecessor-version":[{"id":1178,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts\/1176\/revisions\/1178"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/media\/1035"}],"wp:attachment":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/media?parent=1176"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/categories?post=1176"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/tags?post=1176"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\u00a0
\nJan Pfeiffer<\/em> se narodil v roce 1984 v Praze, kde \u017eije a tvo\u0159\u00ed. Vystudoval na pra\u017esk\u00e9 Akademii v\u00fdtvarn\u00fdch um\u011bn\u00ed u Ji\u0159\u00edho P\u0159\u00edhody v ateli\u00e9ru intermedi\u00e1ln\u00ed tvorby. V roce 2009-2010 studoval na Cooper Union v New Yorku. Je spoluzakladatelem a kur\u00e1torem galerie Pavilon na Mal\u00e9 Stran\u011b. Z\u00edskal prvn\u00ed cenu v Essl Award CEE 2009 a zv\u00edt\u011bzil v \u010desk\u00e9 sekci Henkel Award 2011. Jan Pfeiffer m\u011bl autorsk\u00e9 v\u00fdstavy v etc. galerii (2011), galerii Kostka v Meetfactory (2011), Museo Laboratorio di Arte Contemporanea v \u0158\u00edm\u011b (2011), Galerii hlavn\u00edho m\u011bsta Prahy v Dom\u011b U Zlat\u00e9ho prstenu (2010), Open gallery v Bratislav\u011b (2010) a Galerii mlad\u00fdch BKC v Brn\u011b (2010). \u00da\u010dastnil se cel\u00e9 \u0159ady skupinov\u00fdch v\u00fdstav jako Zl\u00ednsk\u00fd salon mlad\u00fdch, Bien\u00e1le mlad\u00fdch v Galerii hlavn\u00edho m\u011bsta Prahy, v Essl Museum v Klosterneuburgu, Brot Kunsthalle ve V\u00eddni, nebo MOCA v Taipei. V nadch\u00e1zej\u00edc\u00edm m\u011bs\u00edci odj\u00ed\u017ed\u00ed na reziden\u010dn\u00ed pobyt do Ramall\u00e1hu v Palestin\u011b.
\n\u00a0
\nDoprovodn\u00fd program
\ndopoledn\u00ed setk\u00e1n\u00ed s Janem Pfeifferem nejen o aktu\u00e1ln\u00ed v\u00fdstav\u011b v sobotu 23. \u010dervna v 10.30<\/p>","protected":false},"excerpt":{"rendered":"