\u201cKdo chce popsat vn\u011bj\u0161\u00ed z\u00e1le\u017eitosti, stane se v\u011bdcem. Kdo chce popsat zku\u0161enost, stane se um\u011blcem. Star\u00e9 rozli\u0161ov\u00e1n\u00ed mezi um\u011blci a v\u011bdci mus\u00ed zmizet.\u201d Timothy Leary: Changing My Mind, Among Others: Lifetime Writings (1982).<\/p>\n
Kdy\u017e v\u00a0roce 2011 Daniel Vl\u010dek vytvo\u0159il prvn\u00ed pro\u0161krab\u00e1van\u00e9 obrazy, ne\u0161lo ani zdaleka p\u0159edv\u00eddat, \u017ee ho ryt\u00ed do svrchn\u00edch vrstev malby, kdy coby \u0161ablon u\u017e\u00edv\u00e1 vinylov\u00fdch desek, bude prov\u00e1zet cel\u00e9 desetilet\u00ed. Za\u010dal rok 2019 a\u00a0Vl\u010dek m\u00e1 za sebou slu\u0161nou \u0159\u00e1dku realizac\u00ed, na jejich\u017e z\u00e1klad\u011b patrn\u011b lze uznat, \u017ee jeho z\u00a0jednoho \u00fahlu vzato pon\u011bkud kuri\u00f3zn\u00ed technika nab\u00edz\u00ed dostatek mo\u017enost\u00ed, aby byla br\u00e1na jako nosn\u00e1, a\u00a0to nejen po str\u00e1nce v\u00fdtvarn\u00e9, ale tak\u00e9 jako m\u00e9dium obsahu. Vl\u010dkovi v\u00a0prvn\u00ed instanci v\u017edy slou\u017eila k\u00a0vytvo\u0159en\u00ed relace mezi obrazem a\u00a0zvukem, a\u00a0to jak v\u00a0p\u0159\u00edm\u00e9m kontaktu s\u00a0audioinstalacemi, tak jako odkaz k\u00a0charakteristik\u00e1m zvuku \u010di k\u00a0ideov\u00e9mu pozad\u00ed hudebn\u00ed kultury. T\u00edm se ov\u0161em nevy\u010derp\u00e1vala. Obecn\u011b vzato je toti\u017e pro Vl\u010dkovu tvorbu typick\u00e9, \u017ee navenek (alespo\u0148 ve\u00a0smyslu uveden\u00fdch charakteristik) sice vyr\u016fst\u00e1 z\u00a0jednoho, postupn\u011b v\u0161ak z\u00a0tohoto jednoho \u201erozbaluje\u201c r\u016fzn\u00e1 hlediska, tu v\u00edce souvisej\u00edc\u00ed s\u00a0procesu\u00e1ln\u00edmi aspekty jeho specifick\u00e9 mal\u00ed\u0159sk\u00e9 metody, tu s\u00a0jejich kulturn\u00edmi souvislostmi. Vcelku plynule se p\u0159itom d\u00e1 dosp\u011bt a\u017e tak \u201edaleko\u201c, \u017ee komentuje sf\u00e9ru pr\u016fmyslov\u00e9 v\u00fdroby, ideologii \u201er\u016fstu r\u016fstu\u201c nebo pr\u016fnik digit\u00e1ln\u00edch technologi\u00ed do praktick\u00e9ho i symbolick\u00e9 uchopov\u00e1n\u00ed reality, a\u00a0p\u0159i tom v\u0161em si nad\u00e1le udr\u017euje spojen\u00ed s\u00a0manu\u00e1ln\u00ed a\u00a0v\u00a0jist\u00e9m smyslu i\u00a0ritu\u00e1ln\u011b-pro\u017eitkovou zku\u0161enost\u00ed, je\u017e podstupuje u\u00a0pl\u00e1tna p\u0159i zd\u00e1nliv\u011b mechanick\u00e9m opakov\u00e1n\u00ed stejn\u00fdch \u00fakon\u016f.<\/p>\n
Daniel Vl\u010dek nezd\u016fraz\u0148uje kontrasty a\u00a0nesoulad mezi kulturou a\u00a0p\u0159\u00edrodou, modern\u00edm a\u00a0archaick\u00fdm v\u011bdom\u00edm, digit\u00e1ln\u00edm a\u00a0materi\u00e1ln\u00edm, vn\u011bj\u0161\u00ed realitou a\u00a0vnit\u0159n\u00ed zku\u0161enost\u00ed, odosobn\u011bn\u00fdm a\u00a0autentick\u00fdm nebo strojov\u00fdm a\u00a0fyzick\u00fdm. V\u00edcem\u00e9n\u011b intuitivn\u011b sp\u011bje ke\u00a0zd\u016frazn\u011bn\u00ed vazeb a\u00a0pror\u016fst\u00e1n\u00ed jednoho s\u00a0druh\u00fdm. Jeho nejlep\u0161\u00ed obrazy a\u00a0instalace v\u0161ak v\u017edy maj\u00ed jakousi hypnotickou kvalitu a\u00a0vyvol\u00e1vaj\u00ed pocit z\u00e1vrat\u011b, jin\u00fdmi slovy zku\u0161enost propadu z\u00a0v\u011bcn\u00e9ho my\u0161len\u00ed na neovladatelnou senzu\u00e1ln\u011b-psychologickou \u00a0tomto lze vid\u011bt asi nejv\u00fdrazn\u011bj\u0161\u00ed inspiraci hudbou a\u00a0jej\u00edm p\u016fsoben\u00edm.<\/p>\n
Obrazy na v\u00fdstav\u011b\u00a0P\u0159\u00ed\u010diny a\u00a0n\u00e1sledky\u00a0na ka\u017ed\u00fd p\u00e1d netrp\u00ed submisivn\u00ed pozic\u00ed v\u016f\u010di hudb\u011b, kter\u00e1 um\u011blce potenci\u00e1ln\u011b ohro\u017euje v\u017edy, kdy\u017e se tuto oblast pokus\u00ed reflektovat v\u00fdtvarn\u00fdmi prost\u0159edky. Jestli\u017ee \u00e9terem galerie krou\u017e\u00ed zkreslen\u00fd zvuk nasamplovan\u00fdch ter\u00e9nn\u00edch nahr\u00e1vek spou\u0161t\u011bn\u00fdch p\u0159es povrch obrazu nam\u00edchan\u00fd z\u00a0vosku, \u017eelezn\u00fdch pilin a\u00a0magnet\u016f, nen\u00ed to proto, aby lacin\u011b n\u00e1sobil vizu\u00e1ln\u00ed p\u016fsobivost obraz\u016f, ale aby byl jejich zvukovou paralelou. S\u00a0malbami ho spojuje charakter zvukov\u00e9 masy, kter\u00e1 k\u00a0n\u00e1m dol\u00e9h\u00e1 jako \u201eneostr\u00e1\u201c, jako zn\u011bn\u00ed p\u0159\u00edrody i\u00a0stroj\u016f, nebo jako z\u00e1kladn\u00ed zvukov\u00e1 hladina civilizace, pro ni\u017e se pomysln\u00fdm tichem paradoxn\u011b stal neust\u00e1l\u00fd \u0161um (a\u00a0bez n\u00ed\u017e jsme tak z\u0159\u00eddkakdy, \u017ee to v\u00a0mnoh\u00fdch vyvol\u00e1v\u00e1 psychickou paniku). Podobn\u011b tak\u00e9 Vl\u010dkovy sou\u010dasn\u00e9 malby \u2014 a\u00a0l\u00e1k\u00e1 m\u011b \u0159\u00edct monochromy, kdyby do jejich z\u00e1v\u011bre\u010dn\u00e9 vrstvy nepronikalo tolik barev zpoza n\u00ed \u2014 jsou v\u00a0podstat\u011b takov\u00fdm \u0161umem a\u00a0neartikulovan\u00fdm optick\u00fdm muml\u00e1n\u00edm, neuchopiteln\u00fdm coby tvar \u010di k\u00f3d a\u00a0z\u00e1rove\u0148 pokou\u0161ej\u00edc\u00edm limity lidsk\u00e9ho zraku. Vl\u010dkova sou\u010dasn\u00e1 mal\u00ed\u0159sk\u00e1 poloha je hluboce spjat\u00e1 s\u00a0p\u0159edstavou n\u00e1sledk\u016f, u\u00a0nich\u017e nelze snadno h\u00e1dat p\u0159\u00ed\u010diny, a\u00a0jejich\u017e konzistence je unikav\u00e1 a\u00a0tajupln\u00e1, zast\u0159en\u00e1 v\u00a0interferenc\u00edch rastr\u016f, s\u00a0hladk\u00fdm, bezm\u00e1la olejnat\u00fdm povrchem, av\u0161ak skr\u00fdvaj\u00edc\u00edm pozad\u00ed a\u00a0hloubku\u2026<\/p>\n
N\u00e1stroj k\u00a0de\u0161ifrov\u00e1n\u00ed p\u0159itom nen\u00ed po ruce, stejn\u011b jako nem\u016f\u017eeme pln\u011b d\u016fv\u011b\u0159ovat smysl\u016fm a\u00a0schopnosti v\u011bcn\u00e9ho uchopen\u00ed pozorovan\u00e9ho a\u00a0poslouchan\u00e9ho. Jsme vystaveni pouze jak\u00e9musi vyvst\u00e1v\u00e1n\u00ed audio-vizu\u00e1ln\u00edch fantom\u016f, kter\u00e9 se ale v\u00a0m\u017eiku mohou rozplynout \u201ejako mizej\u00edc\u00ed \u00fa\u010dinky psychedelick\u00e9 drogy\u201d (D.\u00a0Vl\u010dek). A\u00a0proto\u017ee Daniela Vl\u010dka nikdy nevedou pouze autonomn\u00ed mo\u017enosti obrazu \u010di zvuku, ale rovn\u011b\u017e p\u0159edstava o\u00a0povaze \u017eit\u00e9 reality, jsou i\u00a0jeho nov\u00e9 malby a\u00a0instalace v\u00a0nejzaz\u0161\u00ed instanci obrazem a\u00a0zvukem jej\u00ed zast\u0159enosti a\u00a0unikavosti, do n\u00ed\u017e nelze vstoupit prost\u0159edky racion\u00e1ln\u00ed anal\u00fdzy, ale sp\u00ed\u0161e s\u00a0odvahou k\u00a0jak\u00e9musi holistick\u00e9mu entr\u00e9e, kter\u00fdm projdeme k\u00a0netu\u0161en\u00fdm spojen\u00edm.<\/p>\n
Ji\u0159\u00ed Pt\u00e1\u010dek<\/p>","protected":false},"excerpt":{"rendered":"
\u201cKdo chce popsat vn\u011bj\u0161\u00ed z\u00e1le\u017eitosti, stane se v\u011bdcem. Kdo chce popsat zku\u0161enost, stane se um\u011blcem. Star\u00e9 rozli\u0161ov\u00e1n\u00ed mezi um\u011blci a […]<\/p>\n","protected":false},"author":2,"featured_media":1657,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[19,4],"tags":[],"class_list":["post-1611","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibitions-homepage","category-exhibitions","wpautop"],"acf":[],"_links":{"self":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts\/1611","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/comments?post=1611"}],"version-history":[{"count":9,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts\/1611\/revisions"}],"predecessor-version":[{"id":1790,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts\/1611\/revisions\/1790"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/media\/1657"}],"wp:attachment":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/media?parent=1611"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/categories?post=1611"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/tags?post=1611"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}