{"id":2280,"date":"2024-10-25T15:51:09","date_gmt":"2024-10-25T13:51:09","guid":{"rendered":"https:\/\/drdovagallery.com\/?p=2280"},"modified":"2024-10-25T16:19:23","modified_gmt":"2024-10-25T14:19:23","slug":"confluence","status":"publish","type":"post","link":"https:\/\/drdovagallery.com\/cs\/2024\/10\/25\/confluence\/","title":{"rendered":"Romana Drdova\u0301, Pavli\u0301na C\u030cambalova\u0301, Beata Hlavenkova\u0301, Luka\u0301s\u030c Likavc\u030can, Matyas Pavlik, Daniel Vlc\u030cek in collaboration with Giovanni Cecconi, Anton\u00edn Gazda and Tom\u00e1\u0161 Kocka Jusko"},"content":{"rendered":"

Ben\u00e1tky byly v\u017edy bytostn\u011b hmotn\u00e9 a p\u0159itom imagin\u00e1rn\u00ed. Tato ambivalence je neust\u00e1le p\u0159\u00edtomn\u00e1 v t\u00e9m\u011b\u0159 dekadentn\u00ed realit\u011b jejich kone\u010dnosti, z\u00e1rove\u0148 se m\u011bstu p\u0159isuzuje mystick\u00e1 esence v\u011b\u010dnosti a kr\u00e1sy. Vedle eklektick\u00e9 souhry bohat\u00e9 historie a architektonick\u00e9ho d\u011bdictv\u00ed p\u0159edstavuj\u00ed unik\u00e1tn\u00ed ekosyst\u00e9m, kter\u00fd by se mohl st\u00e1t pomysln\u00fdm kl\u00ed\u010dem k pochopen\u00ed na\u0161eho st\u00e1le zraniteln\u011bj\u0161\u00edho sv\u011bta.<\/p>\n

P\u0159ed v\u00edce ne\u017e dek\u00e1dou napsal Geoff Dyer: \u201eM\u011bsto postaven\u00e9 na vod\u011b. Jak nepraktick\u00fd, ale skv\u011bl\u00fd n\u00e1pad.\u201c Ben\u00e1tsk\u00e1 laguna reprezentuje komplexn\u00ed a dynamick\u00fd ekoton mezi pevninou (terra firma) a Jadersk\u00fdm mo\u0159em. Odehr\u00e1vaj\u00ed se zde tak\u00e9 ekologicko-historick\u00e9 ud\u00e1losti, kter\u00e9 toto m\u011bsto spojuj\u00ed s nal\u00e9havou glob\u00e1ln\u00ed sou\u010dasnost\u00ed. Dokonce by mohly znamenat jist\u00fd mezn\u00edk v na\u0161em ch\u00e1p\u00e1n\u00ed toho, co to znamen\u00e1 b\u00fdt \u010dlov\u011bkem, respektive p\u0159inejmen\u0161\u00edm se nazna\u010duje nutnost p\u0159ekonat hranice mezi lidskou a p\u0159\u00edrodn\u00ed, environment\u00e1ln\u00ed histori\u00ed. V textu Introducing Lagoonscapes nazvali jeho auto\u0159i Ben\u00e1tky \u201ehybridn\u00edm um\u011bl\u00fdm organismem zem\u011b a vody\u201c, kter\u00fd nen\u00ed ni\u010d\u00edm men\u0161\u00edm ne\u017e \u201eplanet\u00e1rn\u00edm kaleidoskopem pro ve\u0161kerou dynamiku, kter\u00e1 charakterizuje antropoc\u00e9n\u201c.<\/p>\n

Materialita vody, je\u017e dominuje ben\u00e1tsk\u00e9mu prost\u0159ed\u00ed, a biologick\u00fd materi\u00e1l, pojednan\u00e9 z um\u011bleck\u00e9 perspektivy, jsou metaforou \u010dasu, pam\u011bti a aktem spole\u010dn\u00e9 tvorby mezi \u010dlov\u011bkem, \u017eivou a ne\u017eivou p\u0159\u00edrodou. V interdisciplina\u0301rni\u0301 vy\u0301stave\u030c Confluence se jako vodni\u0301 proudy sle\u0301vaji\u0301 ume\u030clecke\u0301 vy\u0301pove\u030cdi ne\u030ckolika oboru\u030a na pozadi\u0301 ve\u030cdecke\u0301ho pozna\u0301ni\u0301 o Bena\u0301tske\u0301 lagune\u030c. K diskuzi byli p\u0159izv\u00e1n\u00ed vizua\u0301lni\u0301 ume\u030clci Daniel Vl\u010dek a Romana Drdova\u0301, skla\u0301r\u030c\u0161t\u00ed v\u00fdtvarn\u00edci Pavl\u00edna \u010cambalov\u00e1 a Matyas Pavlik, skladatelka a interpretka Beata Hlavenkova\u0301 a filozof a planetolog Luka\u0301s\u030c Likavc\u030can ve voln\u00e9m dialogu s biologem\u00a0Giovannim Cecconim a multimedi\u00e1ln\u00edmi um\u011blci\u00a0Anton\u00ednem Gazdou a Tom\u00e1\u0161em Kocka Juskou.<\/p>\n

Origina\u0301lni\u0301 interpretace se artikuluje do spolec\u030cne\u0301 vy\u0301pove\u030cdi akte\u0301ru\u030a. Du\u030alez\u030city\u0301 je zde nikoliv pouze fina\u0301lni\u0301 tvar, ny\u0301brz\u030c i samotny\u0301 proces tvorby. Odra\u0301z\u030ci\u0301 rozmanitost ru\u030azny\u0301ch osobnosti\u0301 s odlis\u030cny\u0301mi ume\u030clecky\u0301mi pr\u030ci\u0301stupy a za\u0301roven\u030c stimuluje k u\u0301zke\u0301 spolupra\u0301ci a kolektivni\u0301 odpove\u030cdnosti. Jde o nove\u0301 formy kooperace mezi ume\u030cni\u0301m, ve\u030cdou a ochranou pr\u030ci\u0301rody, kdy se ume\u030clci podi\u0301li\u0301 na r\u030ces\u030ceni\u0301 environmenta\u0301lni\u0301ch ota\u0301zek skrze optiku ume\u030cni\u0301. Vy\u0301sledkem jsou oborove\u0301 pr\u030cesahy formou multimedia\u0301lni\u0301 instalace a z\u030cive\u0301 performance.<\/p>\n

Na z\u00e1klad\u011b d\u011bjinn\u00fdch ud\u00e1lost\u00ed se lidsk\u00e1 a environment\u00e1ln\u00ed historie v lagun\u011b zcela prolnuly a nen\u00ed mo\u017en\u00e9 je vn\u00edmat ani s nimi zach\u00e1zet odd\u011blen\u011b. Ben\u00e1tky a jejich kr\u00e1sa mohly \u201cp\u0159e\u017e\u00edt\u201d tak dlouho pr\u00e1v\u011b proto, \u017ee se jejich obyvatel\u00e9 nau\u010dili, jak se adaptovat na prom\u011bnliv\u00e9 a nest\u00e1l\u00e9 prost\u0159ed\u00ed.
\nS vizion\u00e1\u0159skou gr\u00e1ci\u00ed a lehce apokalyptickou ironi\u00ed um\u011blci a auto\u0159i vytvo\u0159ili biokulturn\u00ed metaforu prost\u0159ednictv\u00edm \u017eiv\u00e9ho organismu, zvukov\u00e9 sochy, t\u011bla, objektu, slova, akustick\u00e9 skladby. M\u00e9dium skla se pro n\u011b symbolicky stalo mat\u00e9ri\u00ed k vyj\u00e1d\u0159en\u00ed k\u0159ehkosti vz\u00e1jemn\u00fdch vztah\u016f.<\/p>\n

Vy\u0301stava vznikla za financ\u030cni\u0301 podpory: Ministerstvo kultury C\u030cR, Na\u0301rodni\u0301 pla\u0301n obnovy a Evropska\u0301 unie, Me\u030csto Praha, Nadace PPF, Veolia, Jan Barta, Honor\u00e1rn\u00ed konzul\u00e1t \u010cesk\u00e9 republiky v Mil\u00e1n\u011b\u2028Partner\u030ci projektu: Allianz, C\u030ceska\u0301 centra, DBK\u2028Spolupracuji\u0301ci\u0301 subjekty: Venice Art Factory
\nKur\u00e1torky Lucie Drdova\u0301 a Ma\u0301ria Ga\u0301lova\u0301
\nGraficky\u0301 design: Sharp Objects
\nFotografie: Aleksandra Vajd
\nM\u00edsto kon\u00e1n\u00ed: Marignana Arte, Dorsoduro, 141, Rio Tera\u0300 dei Catecumeni, 30123 Ben\u00e1tky, It\u00e1lie<\/p>\n

\"\"<\/a><\/p>","protected":false},"excerpt":{"rendered":"

Ben\u00e1tky byly v\u017edy bytostn\u011b hmotn\u00e9 a p\u0159itom imagin\u00e1rn\u00ed. Tato ambivalence je neust\u00e1le p\u0159\u00edtomn\u00e1 v t\u00e9m\u011b\u0159 dekadentn\u00ed realit\u011b jejich kone\u010dnosti, z\u00e1rove\u0148 se m\u011bstu […]<\/p>\n","protected":false},"author":2,"featured_media":2305,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[19,4],"tags":[],"class_list":["post-2280","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibitions-homepage","category-exhibitions","wpautop"],"acf":[],"_links":{"self":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts\/2280","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/comments?post=2280"}],"version-history":[{"count":30,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts\/2280\/revisions"}],"predecessor-version":[{"id":2320,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts\/2280\/revisions\/2320"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/media\/2305"}],"wp:attachment":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/media?parent=2280"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/categories?post=2280"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/tags?post=2280"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}