Jsou hodn\u00e9 feministky a\u00a0jsou zl\u00e9 feministky.<\/p>\n
Hodn\u00fd feminismus \u0159\u00edk\u00e1: pohlavn\u00ed a\u00a0sexu\u00e1ln\u00ed vyj\u00e1d\u0159en\u00ed, obzvl\u00e1\u0161t\u011b pak heteronormativn\u00ed sexu\u00e1ln\u00ed vyj\u00e1d\u0159en\u00ed, po\u0161kozuje \u017eeny a\u00a0p\u0159isuzuje jim roli bezduch\u00fdch, pod\u0159\u00edzen\u00fdch sexu\u00e1ln\u00edch hra\u010dek.<\/p>\n
Zl\u00fd feminismus \u0159\u00edk\u00e1: pokud maj\u00ed m\u00edt \u017eeny ve spole\u010dnosti moc a\u00a0prostor, m\u011bly by m\u00edt mo\u017enost si svobodn\u011b vybrat takov\u00fd druh sexu, vztah\u016f a\u00a0sexu\u00e1ln\u00edch fantazi\u00ed, jak\u00fd jim nejl\u00e9pe vyhovuje. A\u00a0to plat\u00ed pro v\u0161echny \u017eeny bez rozd\u00edlu.<\/p>\n
Po\u010dkat!
\nNebo je to naopak?!<\/p>\n
Jak podot\u00fdk\u00e1 Linda Williams, bylo by z\u00e1hodno posunout se od feministick\u00fdch debat a\u00a0rozd\u00edl\u016f mezi \u201ehodn\u00fdm\u201c erotick\u00fdm um\u011bn\u00edm a\u00a0\u201ezl\u00fdm\u201c hardcorem n\u011bkam d\u00e1l.<\/p>\n
Porno nen\u00ed pouhou z\u00e1bavou a\u00a0fantazi\u00ed, ale p\u0159edstavuje jedno z\u00a0m\u00e1la oken, jimi\u017e m\u016f\u017eeme v\u00a0r\u00e1mci na\u0161\u00ed kultury nahl\u00ed\u017eet na sex jako takov\u00fd, \u0159\u00edk\u00e1 Madison Young.<\/p>\n
Be my horse, wear my britches!<\/p>\n
Feministick\u00e9 sexu\u00e1ln\u00ed v\u00e1lky, kter\u00e9 se rozbujely na konci sedmdes\u00e1t\u00fdch let minul\u00e9ho stolet\u00ed a\u00a0vyvrcholily v\u00a0letech osmdes\u00e1t\u00fdch, ozna\u010duj\u00ed kolektivn\u00ed feministickou diskuzi o\u00a0\u0161irok\u00e9m okruhu t\u00e9mat t\u00fdkaj\u00edc\u00edch se sexuality a\u00a0sexu\u00e1ln\u00edch aktivit. R\u016fzn\u00edc\u00ed se n\u00e1zory na sexu\u00e1ln\u00ed z\u00e1le\u017eitosti hluboce polarizovaly feministick\u00e9 hnut\u00ed, obzvl\u00e1\u0161t\u011b pak v\u016fd\u010d\u00ed feministick\u00e9 osobnosti t\u00e9 doby, a\u00a0feministickou diskuzi ovliv\u0148uj\u00ed dodnes.<\/p>\n
Jedn\u00edm ze z\u00e1sadn\u00edch t\u00e9mat v ot\u00e1zce sexuality byla pornografie. Tehdy se utvo\u0159ily dva t\u00e1bory: feministky bojuj\u00edc\u00ed proti cenzu\u0159e (\u201epro-sex\u201c \u010di \u201esex-pozitivn\u00ed\u201c) a\u00a0feministky bojuj\u00edc\u00ed proti pornografii. Radik\u00e1ln\u00ed feministky zd\u016fraz\u0148uj\u00ed, \u017ee pornografie dokl\u00e1d\u00e1 a spoluutv\u00e1\u0159\u00ed objektifikaci a\u00a0normalizaci sexu\u00e1ln\u00edho n\u00e1sil\u00ed t\u00edm, \u017ee zn\u00e1zor\u0148uje ur\u010dit\u00e9 \u010dinnosti. Liber\u00e1ln\u00ed feministky jsou naopak znepokojeny stigmatizac\u00ed sexu\u00e1ln\u00edch men\u0161in a\u00a0omezen\u00fdm pr\u00e1vem si v\u00a0sexu vyb\u00edrat. Bez pornografie je toti\u017e takov\u00fd v\u00fdb\u011br zt\u00ed\u017een\u00fd.<\/p>\n
A\u010dkoli kritika z\u00e1bavy pro dosp\u011bl\u00e9 dodnes z\u016fst\u00e1v\u00e1 sou\u010d\u00e1st\u00ed feministick\u00e9ho my\u0161len\u00ed (a\u00a0v\u00a0mnoha ohledech je tomu tak opr\u00e1vn\u011bn\u011b), \u201ev\u00edt\u011bzstv\u00ed\u201c v\u00a0t\u00e9to bitv\u011b z\u0159ejm\u011b pat\u0159\u00ed sex-pozitivn\u00edm feministk\u00e1m, kter\u00e9 tak vydl\u00e1\u017edily cestu komplexn\u011bj\u0161\u00edm a\u00a0n\u00e1ro\u010dn\u011bj\u0161\u00edm reprezentac\u00edm \u017eensk\u00e9 sexuality v um\u011bn\u00ed a\u00a0dal\u0161\u00edch oborech.<\/p>\n
V\u00fdstava\u00a0Horse & Britches\u00a0<\/em>sice o\u00a0pornografii nehovo\u0159\u00ed explicitn\u011b, ale je siln\u011b smysln\u00e1, erotick\u00e1 a\u00a0expresivn\u00ed, co se (\u017eensk\u00e9) sexuality t\u00fd\u010de; je bezpochyby sex-pozitivn\u00ed, z\u00e1rove\u0148 si v\u0161ak uchov\u00e1v\u00e1 kritick\u00fd postoj. Obrac\u00ed pozornost ke\u00a0kategori\u00edm, jako je sexu\u00e1ln\u00ed dr\u00e1\u017edivost, objektovost \u010di autenticita, co\u017e je obzvl\u00e1\u0161t\u011b d\u016fle\u017eit\u00e9.<\/p>\n Podle Madison Young (kter\u00e1 rovn\u011b\u017e vystupuje ve filmu Julie B\u00e9na) a\u00a0dal\u0161\u00edch je autenticita jedn\u00edm ze\u00a0z\u00e1kladn\u00edch n\u00e1stroj\u016f, jimi\u017e je mo\u017en\u00e9 reformovat \u010di alespo\u0148 obohatit oblast pornografie, kter\u00e1 m\u00edv\u00e1 tendenci v\u0161e zn\u00e1zor\u0148ovat um\u011ble a\u00a0p\u0159ehnan\u011b. Pr\u00e1v\u011b specifick\u00e9 mody autenticity mohou b\u00fdt onou kvalitou, v\u00a0n\u00ed\u017e se m\u016f\u017ee pornografie p\u0159ekr\u00fdvat \u010di potk\u00e1vat s\u00a0feministick\u00fdm um\u011bn\u00edm. Na osobn\u00ed rovin\u011b (kter\u00e1 je v\u00a0tomto smyslu nutn\u011b politick\u00e1) se autenticita poj\u00ed s\u00a0identitou, identita se sexualitou a\u00a0sexualita s\u00a0libidem. Siln\u00e9 v\u011bdom\u00ed autenticity pak m\u016f\u017ee vypl\u00fdvat z prezentov\u00e1n\u00ed sebe sam\u00fdch jako\u017eto sebe sam\u00fdch \u2013 ve sv\u00fdch t\u011blech a\u00a0se svou sexualitou,\u00a0otiskuj\u00edc\u00edch se<\/em>(a\u0165 u\u017e doslovn\u011b \u010di metaforicky) do sv\u00e9ho (um\u011bleck\u00e9ho) d\u00edla. A\u00a0pamatujme si: c\u00edlem zde nen\u00ed sublimace, n\u00fdbr\u017e emancipace.<\/p>\n Tereza Jindrov\u00e1 Literatura:<\/p>\n Prior, E.,\u00a0What is sex-positive feminist pornography<\/em>?, Journal of Positive Sexuality, Vol. 2, 2016, 16-20.<\/p>\n Sollee, K.,\u00a0Sex-Positive Feminist Artists to Know<\/em>, Bustle, Feb. 17, 2016.<\/p>\n Young, M.,\u00a0Authenticity and its role within feminist pornography<\/em>, Porn Studies, Vol. 1, 2014, 186-188.<\/p>\n Wikipedia<\/p>\n Williams, L. (ed.),\u00a0Porn Studies<\/em>,\u00a0Duke University Press Books, 2004.<\/p>","protected":false},"excerpt":{"rendered":" Jsou hodn\u00e9 feministky a\u00a0jsou zl\u00e9 feministky. Hodn\u00fd feminismus \u0159\u00edk\u00e1: pohlavn\u00ed a\u00a0sexu\u00e1ln\u00ed vyj\u00e1d\u0159en\u00ed, obzvl\u00e1\u0161t\u011b pak heteronormativn\u00ed sexu\u00e1ln\u00ed vyj\u00e1d\u0159en\u00ed, po\u0161kozuje \u017eeny a\u00a0p\u0159isuzuje […]<\/p>\n","protected":false},"author":1,"featured_media":429,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[19,4],"tags":[],"class_list":["post-296","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibitions-homepage","category-exhibitions","wpautop"],"acf":[],"_links":{"self":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts\/296","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/comments?post=296"}],"version-history":[{"count":7,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts\/296\/revisions"}],"predecessor-version":[{"id":1708,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts\/296\/revisions\/1708"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/media\/429"}],"wp:attachment":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/media?parent=296"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/categories?post=296"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/tags?post=296"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nkur\u00e1torka v\u00fdstavy<\/p>\n