Jak m\u00e1me hovo\u0159it o\u00a0identit\u011b, kdy\u017e si mus\u00edme znovu vytvo\u0159it vlastn\u00ed kulturu? Jak m\u00e1me vyl\u00ed\u010dit slo\u017eitou kr\u00e1su p\u0159\u00edrody \u2013 d\u00e9\u0161\u0165, nosoro\u017ece a\u00a0kolib\u0159\u00edka \u2013 kdy\u017e ji \u010dlov\u011bk zne\u010di\u0161\u0165uje a\u00a0zab\u00edj\u00ed ni\u010den\u00edm \u017eivotn\u00edho prost\u0159ed\u00ed? A\u00a0jak k\u00a0takov\u00fdm t\u011b\u017ek\u00fdm ot\u00e1zk\u00e1m m\u016f\u017ee p\u0159isp\u011bt l\u00e1kav\u00fd jazyk um\u011bn\u00ed?<\/p>\n
D\u00edlo Juliena Creuzeta se k\u00a0t\u00e9to nal\u00e9hav\u00e9 debat\u011b vyjad\u0159uje prost\u0159ednictv\u00edm poezie, kterou vyu\u017e\u00edv\u00e1 jako m\u00e9dium i\u00a0n\u00e1stroj. Jazyk zde funguje jako otev\u0159en\u00e1 rizomatick\u00e1 struktura, kter\u00e1 osciluje mezi spisovn\u00fdm a\u00a0hovorov\u00fdm jazykem, angli\u010dtinou, francouz\u0161tinou a\u00a0kreol\u0161tinou, a\u00a0nach\u00e1z\u00ed si vlastn\u00ed rytmus a\u00a0tropy. S\u00e1m um\u011blec vyr\u016fstal na Martiniku \u2013 v\u00a0jedn\u00e9 z\u00a0francouzsk\u00fdch oblast\u00ed, kter\u00e9 od Evropy d\u011bl\u00ed Atlantick\u00fd oce\u00e1n. Jeho mnohovrstevnat\u00e1 poezie odhaluje, jak n\u00e1s jazyk dok\u00e1\u017ee spojovat, ale z\u00e1rove\u0148 i\u00a0rozd\u011blovat skrze n\u00e1rodnost, t\u0159\u00eddn\u00ed p\u0159\u00edslu\u0161nost \u010di vzd\u011bl\u00e1n\u00ed. Jak pravil \u00c9douard Glissant, jeden z\u00a0nejvlivn\u011bj\u0161\u00edch intelektu\u00e1l\u016f francouzsk\u00e9ho Karibiku, jazyk je \u201e\u010dlun, na kter\u00e9m se plav\u00edme, abychom se dotkli nezn\u00e1m\u00e9ho\u201c.<\/p>\n
Mo\u0159e a\u00a0v\u0161e, co n\u00e1m bere a\u00a0p\u0159in\u00e1\u0161\u00ed, hraje na\u00a0v\u00fdstav\u011b z\u00e1sadn\u00ed roli. Expozice, je\u017e m\u00e1 podobu variabiln\u00ed multimedi\u00e1ln\u00ed instalace, obsahuje nalezen\u00e9 p\u0159edm\u011bty, video, rytiny a\u00a0sochy. Autor v\u00a0n\u00ed kombinuje p\u0159\u00edrodn\u00ed a\u00a0um\u011bl\u00e9 materi\u00e1ly, jako jsou ryb\u00e1\u0159sk\u00e9 s\u00edt\u011b, lastury, naplaven\u00e9 d\u0159evo a\u00a0boty, a\u00a0st\u00edr\u00e1 tak hranici mezi technologi\u00ed a\u00a0p\u0159\u00edrodou, p\u016fvodn\u00edm a\u00a0ciz\u00edm, vysokou a\u00a0n\u00edzkou kulturou. Instalace Juliena Creuzeta, je\u017e je poetick\u00e1 a\u00a0politick\u00e1 z\u00e1rove\u0148, vytv\u00e1\u0159\u00ed prostorov\u00fd z\u00e1\u017eitek, kter\u00fd se zam\u011b\u0159uje na slo\u017eitou k\u0159i\u017eovatku historie Martiniku a\u00a0ud\u00e1lost\u00ed evropsk\u00e9 (post)modern\u00ed doby. Problematizac\u00ed identity a\u00a0koloni\u00e1ln\u00ed konstrukce Druh\u00e9ho pak jeho d\u00edla kladou provokativn\u00ed ot\u00e1zky t\u00fdkaj\u00edc\u00ed se\u00a0konceptu hybridity, subalternity a\u00a0antropoc\u00e9nu.<\/p>\n
Julien Creuzet<\/em> (*1986) vystudoval L\u2019\u00c9cole des Beaux-Arts v\u00a0Caen a\u00a0L\u2019\u00c9cole des Beaux-Arts v\u00a0Lyonu. Sv\u00e1 d\u00edla naposledy p\u0159edstavil na\u00a0samostatn\u00fdch v\u00fdstav\u00e1ch v\u00a0instituc\u00edch B\u00e9tonsalon a\u00a0Fondation Ricard v\u00a0Pa\u0159\u00ed\u017ei, Sketch Gallery v\u00a0Bogot\u011b \u010di Documentation Gallery v\u00a0Chicagu (2017). D\u00e1le pak vystavoval v\u00a0r\u00e1mci velk\u00fdch mezin\u00e1rodn\u00edch p\u0159ehl\u00eddek, jako je Bienniale\u00a0v\u00a0Lyonu, 11. Rencontres de Bamako (2017) \u010di Bienniale\u00a0v\u00a0Dakaru (2016).<\/p>\n Jana J. Haeckelje<\/em> kur\u00e1torka, kriti\u010dka um\u011bn\u00ed a\u00a0lektorka na\u00a0voln\u00e9 noze, \u017eije v\u00a0Bruselu. V\u00a0posledn\u00ed dob\u011b kur\u00e1torovala samostatnou v\u00fdstavu \u201cVersipellis\u201d um\u011blkyn\u011b Biancy Baldi (Superdeals, Brusel, 2018) a\u00a0kolektivn\u00ed v\u00fdstavu \u201cPerforming the Border\u201d (Kunstraum Niederoesterreich, V\u00edde\u0148, 2017).<\/p>\n D\u011bkujeme za spolupr\u00e1ci.<\/p>\n MeetFactory, Institute Fran\u00e7ais Prague, Hope Recycling Station<\/p>","protected":false},"excerpt":{"rendered":" Jak m\u00e1me hovo\u0159it o\u00a0identit\u011b, kdy\u017e si mus\u00edme znovu vytvo\u0159it vlastn\u00ed kulturu? Jak m\u00e1me vyl\u00ed\u010dit slo\u017eitou kr\u00e1su p\u0159\u00edrody \u2013 d\u00e9\u0161\u0165, nosoro\u017ece […]<\/p>\n","protected":false},"author":1,"featured_media":716,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[19,4],"tags":[],"class_list":["post-298","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibitions-homepage","category-exhibitions","wpautop"],"acf":[],"_links":{"self":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts\/298","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/comments?post=298"}],"version-history":[{"count":29,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts\/298\/revisions"}],"predecessor-version":[{"id":1669,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts\/298\/revisions\/1669"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/media\/716"}],"wp:attachment":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/media?parent=298"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/categories?post=298"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/tags?post=298"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}