“Roste. Roste vertik\u00e1ln\u011b i horizont\u00e1ln\u011b. Roste a r\u00fdhuje se. R\u00fdhuje se vertik\u00e1ln\u011b i horizont\u00e1ln\u011b. R\u00fdhov\u00e1n\u00edm roste. R\u016fstem se r\u00fdhuje. R\u00fdhov\u00e1n\u00edm vznik\u00e1 struktura. Vertik\u00e1ln\u00ed i horizont\u00e1ln\u00ed struktura. Z\u00e1konit\u00e1 struktura vztah\u016f, struktura horizont\u00e1ln\u00ed i vertik\u00e1ln\u00ed jednoty. Rozr\u016fz\u0148uje se vertik\u00e1ln\u011b. Rozr\u016fz\u0148uje se do v\u0161ech rovin sv\u00e9 podstaty. Z\u00edsk\u00e1v\u00e1 svou kvalitu. Ta je odli\u0161uje. Dod\u00e1v\u00e1 mu nezbytnou stabilitu. Rozr\u016fz\u0148uje se horizont\u00e1ln\u011b. Rozr\u016fz\u0148uje se do v\u0161ech poloh sv\u00e9 existence. Z\u00edsk\u00e1v\u00e1 svou kvantitu. Ta je obohacuje. Dod\u00e1v\u00e1 mu nezbytnou pru\u017enost.\u201c Tak za\u010d\u00edn\u00e1 prvn\u00ed z text\u016f Bohumily Gr\u00f6gerov\u00e9 za\u0159azen\u00fd do sb\u00edrky Meandry, kterou v roce 1969 nevydalo jist\u00e9 \u010desk\u00e9 nakladatelstv\u00ed, aby rok na to vy\u0161la v\u00a0n\u011bmeck\u00e9m p\u0159ekladu, doprovozen\u00e1 \u010dty\u0159mi fotogramy B\u011bly Kol\u00e1\u0159ov\u00e9.<\/p>\n
Gr\u00f6gerov\u00e9 v\u011bty by mohly dob\u0159e popisovat pap\u00edrov\u00e9 obrazy Moniky \u017d\u00e1kov\u00e9. Viditeln\u00e9 r\u00fdhy by se potom prol\u00ednaly s t\u011bmi mysliteln\u00fdmi, jak\u00e9 vyzna\u010duje autor\u010dina osobn\u00ed anamn\u00e9za p\u0159edchoz\u00edch prac\u00ed, na n\u011b\u017e navazuje a je\u017e rozv\u00edj\u00ed, stejn\u011b jako biografick\u00e9 rezonance s tvorbou \u0159ady modern\u00edch um\u011blky\u0148 a vrstvy odkryt\u00e9 p\u0159i archeologii obrazov\u00e9 plochy, na n\u00ed\u017e materi\u00e1l z\u00edsk\u00e1v\u00e1 navrch p\u0159ed zobrazen\u00edm, kter\u00e9 bylo odev\u017edy materi\u00e1lem. I souvislost s Kol\u00e1\u0159ovou se nab\u00edz\u00ed n\u011bkolikan\u00e1sobn\u00e1. P\u0159esto\u017ee obrazy \u017d\u00e1kov\u00e9 nejsou fotografick\u00e9, p\u0159ibli\u017euj\u00ed se on\u011bm fotogram\u016fm v\u00fdrobn\u00edm\u00a0postupem, prac\u00ed dot\u00fdk\u00e1n\u00ed, vyu\u017e\u00edv\u00e1n\u00edm sv\u011btla jako stavebn\u00edho prvku.<\/p>\n
Mohli bychom hledat pojem, aby vystihnul metodu Moniky \u017d\u00e1kov\u00e9, proto\u017ee metodi\u010dnost jej\u00edho p\u0159\u00edstupu se ukazuje jasn\u011b. \u017d\u00e1kov\u00e1 se vztahuje k\u00a0modernismu a zvl\u00e1\u0161t\u011b 60. let\u016fm 20. stolet\u00ed, kter\u00e1 jako by se stav\u011bla kolmo k historick\u00e9 ose, jako by byla st\u00e1le sou\u010dasn\u00e1. Z\u00a0historick\u00e9ho rejst\u0159\u00edku metod by se tak snad nab\u00edzely muchl\u00e1\u017ee, jak\u00e9 vytv\u00e1\u0159el Ji\u0159\u00ed Kol\u00e1\u0159, ale tentokr\u00e1t jinak, pe\u010dliv\u011bji, opatrn\u011bji, promy\u0161len\u011bji, nebo froas\u00e1\u017ee Ladislava Nov\u00e1ka, ale bez zbytkov\u00e9, navracej\u00edc\u00ed se zobrazivosti. V\u00a0aluzi na Gr\u00f6gerovou a na Kol\u00e1\u0159ovy by se nab\u00edzela vizu\u00e1ln\u00ed poezie, kdyby se oprostila od sebe sam\u00e9. Jako ne-p\u0159edm\u011btn\u00e1 b\u00e1se\u0148, jako ne-b\u00e1se\u0148, co se obejde beze slov a dokonce ani nikdy docela nenapodob\u00ed uspo\u0159\u00e1d\u00e1n\u00ed ver\u0161\u016f, kdy\u017e se pap\u00edr vzd\u00e1v\u00e1 sv\u00fdch okraj\u016f a v p\u0159ehybech pochybuje o plo\u0161e. Jako \u010dist\u00e9 listy pap\u00edru, jejich\u017e obd\u00e9ln\u00e9 form\u00e1ty se opakuj\u00ed ve st\u011bn\u00e1ch ateli\u00e9ru, r\u00e1mech pl\u00e1ten i jejich fotografick\u00fdch reprodukc\u00edch, ve v\u0161ech odst\u00ednech b\u00edl\u00e9. V\u00a0\u00favahu by p\u0159ipadala derealizace, kdyby p\u0159edpokl\u00e1dala slo\u017eit\u011bj\u0161\u00ed ch\u00e1p\u00e1n\u00ed reality ne\u017e to, kter\u00e9 Kol\u00e1\u0159 p\u0159iznan\u011b popsal jako p\u0159\u00edli\u0161 prost\u00e9. Byla by to derealizace p\u0159ich\u00e1zej\u00edc\u00ed p\u0159ed realizac\u00ed, realizace derealizac\u00ed, de-derealizace.<\/p>\n
\u017d\u00e1kov\u00e9 monochromy nejsou naru\u0161ov\u00e1ny zvn\u011bj\u0161ku, st\u0159\u00edkancem barvy, hrotem tu\u017eky, \u010depel\u00ed no\u017ee; ale jako by z vnit\u0159ku: r\u00fdhov\u00e1n\u00edm se rozr\u016fz\u0148uj\u00ed a zmno\u017euj\u00ed. P\u0159ipom\u00ednaj\u00ed se m\u0159\u00ed\u017eky, kter\u00e9 podle Rosalind Krauss v modernistick\u00e9 malb\u011b dokl\u00e1daly v\u016fli k\u00a0tichu a nep\u0159\u00e1telstv\u00ed v\u016f\u010di literatu\u0159e, narativu, diskursu. M\u0159\u00ed\u017eky \u017d\u00e1kov\u00e9 z\u00e1rove\u0148 zachycuj\u00ed a propou\u0161t\u00ed \u2013 pohled, stejn\u011b jako v\u00fdznam. Znaky se v nich vyno\u0159uj\u00ed a hned unikaj\u00ed. Nem\u016f\u017eeme docela mluvit o jejich obsahu a jejich form\u011b bychom u\u010dinili zadost, kdybychom o n\u00ed dok\u00e1zali ml\u010det.<\/p>\n
Vojt\u011bch M\u00e4rc<\/p>","protected":false},"excerpt":{"rendered":"
“Roste. Roste vertik\u00e1ln\u011b i horizont\u00e1ln\u011b. Roste a r\u00fdhuje se. R\u00fdhuje se vertik\u00e1ln\u011b i horizont\u00e1ln\u011b. R\u00fdhov\u00e1n\u00edm roste. R\u016fstem se r\u00fdhuje. R\u00fdhov\u00e1n\u00edm vznik\u00e1 […]<\/p>\n","protected":false},"author":2,"featured_media":579,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[19,4],"tags":[],"class_list":["post-560","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibitions-homepage","category-exhibitions","wpautop"],"acf":[],"_links":{"self":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts\/560","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/comments?post=560"}],"version-history":[{"count":9,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts\/560\/revisions"}],"predecessor-version":[{"id":1064,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts\/560\/revisions\/1064"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/media\/579"}],"wp:attachment":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/media?parent=560"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/categories?post=560"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/tags?post=560"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}