Komentovan\u00e1 prohl\u00eddka
\nZapsal Ji\u0159\u00ed Pt\u00e1\u010dek<\/p>\n
Kur\u00e1tor: Dobr\u00fd den, v\u00edt\u00e1m v\u00e1s na komentovan\u00e9 prohl\u00eddce pr\u00e1zdn\u00e9 galerie. Pochopiteln\u011b jsem r\u00e1d, \u017ee n\u00e1s je m\u00e1lo, proto\u017ee p\u0159i vy\u0161\u0161\u00ed \u00fa\u010dasti by se Drdova Gallery p\u0159\u00edli\u0161 zaplnila. (neop\u011btovan\u00fd sm\u00edch) Je n\u00e1s patn\u00e1ct a\u00a0to je tak akor\u00e1t.<\/p>\n
N\u00e1v\u0161t\u011bvn\u00edk 1: Dvan\u00e1ct. S\u00a0v\u00e1mi je n\u00e1s dvan\u00e1ct.<\/p>\n
Kur\u00e1tor (popuzen\u011b): No, tak dvan\u00e1ct, na tom tolik nesejde\u2026
\n(o\u00a0pozn\u00e1n\u00ed klidn\u011bji) Jak vid\u00edte, ona ta galerie zas a\u017e tak pr\u00e1zdn\u00e1 nen\u00ed, k\u00a0tomu se ale dostaneme pozd\u011bji. Nejd\u0159\u00edve v\u00e1m p\u0159edstav\u00edm autora.<\/p>\n
Mluv\u00ed o\u00a0Janu N\u00e1levkovi jako o\u00a0vizu\u00e1ln\u00edm um\u011blci st\u0159edn\u00ed generace, kter\u00fd se hl\u00e1s\u00ed ke klasick\u00fdm konceptu\u00e1ln\u00edm p\u0159\u00edstup\u016fm. Popisuje jeho zdr\u017eenlivost k\u00a0rukopisu a\u00a0odstup, kter\u00fd ho vede k\u00a0op\u011btovn\u00e9mu prom\u00fd\u0161len\u00ed konceptu ready-made. Opakovan\u011b zmi\u0148uje jeho z\u00e1jem o\u00a0t\u00e9ma pr\u00e1zdna a\u00a0zd\u016fraz\u0148uje, \u017ee v\u00a0jeho tv\u016fr\u010d\u00ed \u010dinnosti lze vysledovat linii \u201ekonstruov\u00e1n\u00ed pr\u00e1zdna\u201c\u2026<\/p>\n
N\u00e1v\u0161t\u011bvn\u00edk 1: Pr\u00e1zdn\u00e1 galerie nen\u00ed nic nov\u00e9ho.<\/p>\n
Kur\u00e1tor: To m\u00e1te pravdu, v\u00a0podstat\u011b to je zaveden\u00fd \u017e\u00e1nr konceptu\u00e1ln\u00edho um\u011bn\u00ed. Poka\u017ed\u00e9 ale vede na\u0161i pozornost k\u00a0jin\u00e9mu okruhu t\u00e9mat.<\/p>\n
N\u00e1v\u0161t\u011bvn\u00edk 1: Tak\u017ee?<\/p>\n
Kur\u00e1tor: Tak\u017ee mysl\u00edm, \u017ee v\u00a0na\u0161em p\u0159\u00edpad\u011b jde o\u00a0odli\u0161n\u00e9 zku\u0161enosti s\u00a0n\u011bjak\u00fdm m\u00edstem. Jedna je ta na\u0161e fyzick\u00e1, druh\u00e1 je zde parafr\u00e1zovan\u00e1 fotografiemi v\u00a0r\u00e1mech na st\u011bn\u00e1ch.<\/p>\n
N\u00e1v\u0161t\u011bvn\u00edk 2: A\u00a0ty d\u011blal Jan N\u00e1levka?<\/p>\n
Kur\u00e1tor: Ne, ne, ty si nechal p\u0159ipravit od fotograf\u016f, kte\u0159\u00ed zde v\u00a0minulosti po\u0159izovali fotodokumentace v\u00fdstav. N\u00e1levka ka\u017ed\u00e9mu pouze vybral jeden star\u0161\u00ed sn\u00edmek a\u00a0pak ho po\u017e\u00e1dal, aby se pokusil o\u00a0jeho co nejv\u011brn\u011bj\u0161\u00ed zopakov\u00e1n\u00ed, jen\u017ee tentokr\u00e1t v\u00a0pr\u00e1zdn\u00e9 galerii.<\/p>\n
Jako fotografy jmenuje Hynka Alta, Terezu Havl\u00ednkovou, V\u00e1clava Kopeck\u00e9ho, Ond\u0159eje Pol\u00e1ka, Tom\u00e1\u0161e Sou\u010dka a\u00a0Ji\u0159\u00edho Th\u00fdna.<\/p>\n
N\u00e1v\u0161t\u011bvn\u00edk 1: A\u00a0Martin Pol\u00e1k…<\/p>\n
Kur\u00e1tor: Toho jsem u\u017e \u0159\u00edkal, ne?<\/p>\n
N\u00e1v\u0161t\u011bvn\u00edk 1: Ne\u0159\u00edkal. \u0158\u00edkal jste Ond\u0159eje Pol\u00e1ka.<\/p>\n
Kur\u00e1tor (op\u011bt popuzen\u011b): Dob\u0159e, tak jo. Tak\u017ee je\u0161t\u011b Martin Pol\u00e1k. Abych byl korektn\u00ed, bylo to \u0161est fotograf\u016f a\u00a0jedna fotografka. (neop\u011btovan\u00fd sm\u00edch) A\u00a0ka\u017ed\u00fd to nafotil jinak. V\u0161ichni m\u011bli odli\u0161n\u00e9 technick\u00e9 vybaven\u00ed a\u00a0fotografovali jinou v\u00fdstavu, v\u0161ichni se ale tak\u00e9 soust\u0159edili na interpretaci konkr\u00e9tn\u00ed situace. P\u0159ijde mi d\u016fle\u017eit\u00e9, \u017ee fotografick\u00e1 dokumentace nen\u00ed neutr\u00e1ln\u00ed v\u00fdkon, ale v\u017edy subjektivn\u011b odst\u00edn\u011bn\u00fd v\u00fdklad.<\/p>\n
N\u00e1v\u0161t\u011bvn\u00edk 1: Ale zas a\u017e takovou svobodu fotograf nem\u00e1, ne?<\/p>\n
Kur\u00e1tor: \u0158\u00edd\u00ed se zad\u00e1n\u00edm, kter\u00fdm je nafotit v\u00fdstavu\u2026 Ale to mo\u017en\u00e1 odb\u00edh\u00e1me od toho podstatn\u00e9ho. Na na\u0161\u00ed v\u00fdstav\u011b je ale asi d\u016fle\u017eit\u00e9, \u017ee pr\u00e1zdn\u00e1 galerie s\u00a0fotografiemi pr\u00e1zdn\u00e9 galerie obrac\u00ed pozornost k\u00a0instituci galerie.<\/p>\n
N\u00e1v\u0161t\u011bvn\u00edk 2: A\u00a0ty fotografie tedy popisuj\u00ed jej\u00ed prostor?<\/p>\n
Kur\u00e1tor: Do jist\u00e9 m\u00edry ano, ale pr\u00e1zdn\u00fd interi\u00e9r by v\u00e1m fotograf zdokumentoval trochu jinak\u2026<\/p>\n
N\u00e1v\u0161t\u011bvn\u00edk 2: Tak\u017ee o\u00a0co jde?<\/p>\n
Kur\u00e1tor: Z\u00a0fotografi\u00ed podle m\u00e9ho n\u00e1zoru vypozorujete, \u017ee na nich n\u011bco nesed\u00ed. Vedle toho, \u017ee neodpov\u00eddaj\u00ed klasick\u00fdm dokumentac\u00edm interi\u00e9r\u016f, je na nich vid\u011bt, \u017ee jsou r\u016fzn\u011b koncipovan\u00e9 a\u00a0r\u016fzn\u011b technicky proveden\u00e9. Mysl\u00edm, \u017ee je dost d\u016fle\u017eit\u00e9, \u017ee jaksi nedr\u017e\u00ed pospolu. \u017de se hodn\u011b li\u0161\u00ed v\u00a0p\u0159\u00edstupu a\u00a0proveden\u00ed. Ani um\u00edst\u011bn\u00ed v\u00a0r\u00e1mech nebo um\u00edst\u011bn\u00ed v\u00a0galerii nepodl\u00e9h\u00e1 n\u011bjak\u00e9 konkr\u00e9tn\u00ed logice.<\/p>\n
N\u00e1v\u0161t\u011bvn\u00edk 1: Tak\u017ee to je nesmysl\u2026<\/p>\n
Kur\u00e1tor: Takhle bych to neposuzoval. Vlastn\u011b jsou to sn\u00edmky, kde p\u016fvodn\u00ed pozad\u00ed vystupuje do pop\u0159ed\u00ed a upozor\u0148uje na \u00falohu fotografick\u00e9ho zpracov\u00e1n\u00ed \u201ezpr\u00e1vy\u201c (prsty nazna\u010d\u00ed uvozovky) o kulturn\u00ed ud\u00e1losti.<\/p>\n
N\u00e1v\u0161t\u011bvn\u00edk 1 a\u00a0n\u00e1v\u0161t\u011bvnice 3 odch\u00e1zej\u00ed z\u00a0galerie. Zastav\u00ed se p\u0159ed v\u00fdlohou a\u00a0zap\u00e1l\u00ed si cigarety.<\/p>\n
Kur\u00e1tor (se znatelnou \u00falevou): Tak\u017ee je\u0161t\u011b jednou, N\u00e1levka vych\u00e1zel z v\u00fdznamn\u00e9 \u00falohy fotografick\u00e9 dokumentace p\u0159i zprost\u0159edkov\u00e1n\u00ed kulturn\u00ed ud\u00e1losti, jakou je v\u00fdstava. Je fakt, \u017ee valnou \u010d\u00e1st v\u00fdstav pozn\u00e1v\u00e1me pr\u00e1v\u011b jej\u00edm prost\u0159ednictv\u00edm. Na mnoho z nich nep\u0159ijdeme, t\u0159eba ani nem\u016f\u017eeme, pouze se s nimi sezn\u00e1m\u00edme na Instagramu nebo Facebooku. Obecn\u011b vzato s inflac\u00ed kulturn\u00edch ud\u00e1lost\u00ed a rostouc\u00edm vlivem s\u00ed\u0165ov\u00fdch platforem, kde fotografie sd\u00edl\u00edme, nar\u016fst\u00e1 v\u00fdznam fotografick\u00e9 dokumentace jako paraleln\u00edho \u017eivota v\u00fdstav, ale tak\u00e9 cel\u00fdch instituc\u00ed. Kus d\u011bjin um\u011bn\u00ed je u\u017e te\u010f d\u011bjinami v\u00fdkladu reprodukc\u00ed, tedy v\u00fdkladu podle v\u00fdkladu. Jednou bych cht\u011bl um\u011bt l\u00e9pe rozpoznat, jak fyzickou podobu v\u00fdstav ovliv\u0148uje p\u0159edstava budouc\u00edch reprodukc\u00ed. Mysl\u00edm, \u017ee k tomu u\u017e doch\u00e1z\u00ed. I kdy\u017e to nen\u00ed t\u00e9ma, takov\u00e9 jsem u\u017e tedy tak\u00e9 vid\u011bl, tak k tomu m\u016f\u017ee \u2013 dokonce bych \u0159ekl mus\u00ed \u2013 doch\u00e1zet podprahov\u011b.<\/p>\n
Z\u00a0kancel\u00e1\u0159e vstoup\u00ed do v\u00fdstavn\u00edho prostoru galeristka.<\/p>\n
Galeristka (omluvn\u011b): Nenechte se ru\u0161it.<\/p>\n
Projde m\u00edstnost\u00ed a\u00a0vklouzne do dve\u0159\u00ed od z\u00e1zem\u00ed.<\/p>\n
Kur\u00e1tor: Fotografick\u00e1 dokumentace modeluje rovn\u011b\u017e na\u0161e pov\u011bdom\u00ed o\u00a0galerijn\u00ed instituci, pod\u00edl\u00ed se na jej\u00edm spole\u010densk\u00e9m statusu, na jej\u00ed presti\u017ei. Kdy\u017e m\u00e1te odpudivou fotografickou dokumentaci, tak to sni\u017euje obraz va\u0161\u00ed instituce v\u00a0o\u010d\u00edch ve\u0159ejnosti. (rozru\u0161en\u011b) Jako kur\u00e1tor se m\u016f\u017eete strhnout a\u00a0nen\u00ed v\u00e1m to nic platn\u00fd.<\/p>\n
N\u00e1v\u0161t\u011bvn\u00edk 2: To je ale dost smutn\u00e9, ne?
\nKur\u00e1tor (st\u00e1le v\u00edce rozru\u0161en\u011b): Bohu\u017eel. Fotograf je v\u00a0tomto ohledu opravdu hodn\u011b d\u016fle\u017eit\u00fd. To bych v\u00e1m mohl pov\u00eddat\u2026 T\u0159eba vloni v\u00a0Brn\u011b\u2026 to\u00a0bylo taky s\u00a0N\u00e1levkou\u2026 to\u00a0to\u2026 to\u00a0bylo stra\u0161n\u00fd\u2026 instalace v\u00fdstavy se n\u00e1m moc nepovedla a\u00a0fotkama to zazdili \u00fapln\u011b\u2026<\/p>\n
Ze z\u00e1zem\u00ed je sly\u0161et zvuk k\u00e1vovaru.<\/p>\n
Kur\u00e1tor (vrac\u00ed se k rozv\u00e1\u017en\u00e9mu t\u00f3nu): Jan N\u00e1levka se k transformuj\u00edc\u00ed se roli fotografick\u00e9 dokumentace nestav\u00ed kriticky. Ur\u010dit\u011b to nen\u00ed n\u011bjak\u00e1 explicitn\u00ed kritika. Pouze na ni poukazuje reviz\u00ed t\u011bch star\u0161\u00edch dokument\u00e1rn\u00edch fotografi\u00ed, kdy fotograf\u016fm \u0159\u00edk\u00e1, aby se p\u0159i focen\u00ed v pr\u00e1zdn\u00e9 galerii p\u0159ibl\u00ed\u017eili fotce, kterou tam d\u011blali s n\u011bjak\u00fdm um\u011bn\u00edm, a tak zd\u016fraz\u0148uje relaci mezi instituc\u00ed a jej\u00edmi obrazy, tedy v\u0161elijak \u0161\u00ed\u0159en\u00fdmi reprodukcemi. Za b\u011b\u017en\u00fdch okolnost\u00ed se toti\u017e soud\u00ed, \u017ee fotograf dokumentuje \u201eum\u011bn\u00ed v galerii\u201c (prsty op\u011bt nazna\u010d\u00ed uvozovky), jen\u017ee obrazn\u011b \u0159e\u010deno fot\u00ed cel\u00e9 institucion\u00e1ln\u00ed prost\u0159ed\u00ed s jeho pravidly, zvyklostmi a c\u00edli. A jak jsem nazna\u010dil, i dokumentace je sou\u010d\u00e1st\u00ed tohoto institucion\u00e1ln\u00edho prost\u0159ed\u00ed a jeho fungov\u00e1n\u00ed. Na N\u00e1levkov\u00fdch fotk\u00e1ch je to p\u0159itom vid\u011bt t\u00edm v\u00edc, \u017ee na nich um\u011bn\u00ed nen\u00ed.<\/p>\n
N\u00e1v\u0161t\u011bvn\u00edk 2: Tak\u017ee to je site-specific?<\/p>\n
Kur\u00e1tor: V\u00edte, \u017ee bych ne\u0159ekl? I kdy\u017e se to na prvn\u00ed pohled zd\u00e1. Za spln\u011bn\u00ed minima podm\u00ednek lze novou verzi t\u00e9to v\u00fdstavy uskute\u010dnit i v jin\u00e9 instituci. V podstat\u011b je asi jedinou podm\u00ednkou, aby tam v\u00fdstavy v minulosti dokumentovalo v\u00edce fotograf\u016f. Jinak by ne\u0161lo vyzdvihnout tu mnohost a neslu\u010ditelnost p\u0159i vytv\u00e1\u0159en\u00ed obrazu instituce.<\/p>\n
Galeristka se vrac\u00ed zp\u011bt do kancel\u00e1\u0159e s\u00a0k\u00e1vou v\u00a0konvici.<\/p>\n
Galeristka (omluvn\u011b): Pardon.<\/p>\n
N\u00e1v\u0161t\u011bvn\u00edk 2: Ale je tro\u0161ku absurdn\u00ed st\u00e1t v\u00a0galerii a\u00a0d\u00edvat se na\u00a0jej\u00ed fotky.<\/p>\n
Kur\u00e1tor: Takovou smy\u010dku N\u00e1levkova d\u00edla obsahuj\u00ed \u010dasto. T\u00edm se tato v\u00fdstava dr\u017e\u00ed t\u00e9matu pr\u00e1zdnoty. A mysl\u00edm tak\u00e9, \u017ee jde hodn\u011b o to, jestli absurdnost budete nahl\u00ed\u017eet negativn\u011b nebo pozitivn\u011b. J\u00e1 za n\u00ed v\u017edy tu\u0161\u00edm humor. Takov\u00e9 pomrk\u00e1v\u00e1n\u00ed, kter\u00e9 nelze jednozna\u010dn\u011b vylo\u017eit jako v\u00fdzvu ke spiklenectv\u00ed, ale ani jako nekontrolovan\u00fd tik. Pochopiteln\u011b nen\u00ed v\u016fbec \u0161patn\u011b, kdy\u017e se k tomu postav\u00edte jako k absurdit\u011b sv\u00e9ho druhu. Je\u0161t\u011b n\u011bjak\u00e9 ot\u00e1zky?<\/p>\n
Ticho, \u017ee by se dalo kr\u00e1jet.<\/p>\n
Kur\u00e1tor: Tak\u017ee v\u00e1m moc d\u011bkuji za pozornost. Galeristka v\u00e1m p\u0159ipravila mal\u00e9 poho\u0161t\u011bn\u00ed v\u00a0kancel\u00e1\u0159i, tak se tam m\u016f\u017eeme p\u0159esunout.<\/p>\n
N\u00e1v\u0161t\u011bvn\u00edci p\u0159ech\u00e1zej\u00ed do kancel\u00e1\u0159e. P\u0159ipojuj\u00ed se k\u00a0nim tak\u00e9 n\u00e1v\u0161t\u011bvn\u00edk\u00a01 a\u00a0n\u00e1v\u0161t\u011bvnice\u00a03.<\/p>","protected":false},"excerpt":{"rendered":"
Komentovan\u00e1 prohl\u00eddka Zapsal Ji\u0159\u00ed Pt\u00e1\u010dek Kur\u00e1tor: Dobr\u00fd den, v\u00edt\u00e1m v\u00e1s na komentovan\u00e9 prohl\u00eddce pr\u00e1zdn\u00e9 galerie. Pochopiteln\u011b jsem r\u00e1d, \u017ee n\u00e1s […]<\/p>\n","protected":false},"author":2,"featured_media":596,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[19,4],"tags":[],"class_list":["post-587","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibitions-homepage","category-exhibitions","wpautop"],"acf":[],"_links":{"self":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts\/587","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/comments?post=587"}],"version-history":[{"count":12,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts\/587\/revisions"}],"predecessor-version":[{"id":1670,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts\/587\/revisions\/1670"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/media\/596"}],"wp:attachment":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/media?parent=587"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/categories?post=587"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/tags?post=587"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}