Tlumo\u010dnick\u00e1 kabina
\nV\u00fdstava o dvou kapitol\u00e1ch. Anu Vahtra a Martin Luka\u010d
\nKur\u00e1tor Piotr Sikora<\/p>\n
Ignotum per ignotius
\nNezn\u00e1m\u00e9 pomoc\u00ed je\u0161t\u011b nezn\u00e1m\u011bj\u0161\u00edho<\/p>\n
Abych nevytv\u00e1\u0159el n\u011bjak\u00e9 pochybn\u00e9 teorie kolem n\u00e1sleduj\u00edc\u00ed v\u00fdstavy, chci zde konstatovat, \u017ee tlumo\u010dnick\u00e1 kabina, kterou uv\u00e1d\u00edm v\u00a0n\u00e1zvu, je ban\u00e1ln\u00ed hranat\u00e1 konstrukce zbudovan\u00e1 za jasn\u00fdm \u00fa\u010delem jako prostor pro p\u0159ekladatele na konferenc\u00edch nebo jin\u00fdch akc\u00edch, kter\u00e9 vy\u017eaduj\u00ed simult\u00e1nn\u00ed p\u0159eklad.<\/p>\n
A\u00a0um\u011bn\u00ed si vy\u017eaduje simult\u00e1nn\u00ed p\u0159eklad, nebo, jak to vyj\u00e1d\u0159il Ranciere ve sv\u00e9 knize Emancipated Spectator, um\u011bn\u00ed je simult\u00e1nn\u00edm p\u0159ekladem, kde vztah mezi tv\u016frcem obsahu (akt\u00e9r) a p\u0159\u00edjemcem obsahu (div\u00e1k) je plynul\u00fd a\u00a0prost jak\u00e9koli formy stratifikace. Otev\u0159enost um\u011bn\u00ed spo\u010d\u00edv\u00e1 v\u00a0tom, \u017ee tato vizu\u00e1ln\u00ed discipl\u00edna je (s v\u00fdjimkou hudby) v\u016fbec nejabstraktn\u011bj\u0161\u00edm um\u011bn\u00edm. Skute\u010dn\u011b tady m\u00e1me v\u011bt\u0161inou co do \u010din\u011bn\u00ed s\u00a0poselstv\u00edm beze slov, s\u00a0tvarem sp\u00ed\u0161 ne\u017e p\u0159\u00edb\u011bhem a\u00a0s\u00a0pocitem sp\u00ed\u0161 ne\u017e z\u00e1pletkou. P\u0159eklad je n\u00e1strojem k\u00a0porozum\u011bn\u00ed um\u011bn\u00ed. V\u00a0ka\u017ed\u00e9m p\u0159\u00edpad\u011b.<\/p>\n
P\u0159edstavme si situaci v\u00a0takov\u00e9 on\u011bm\u011bl\u00e9 kabin\u011b, kde se oba tlumo\u010dn\u00edci rozhodli, \u017ee si m\u00edsto pr\u00e1ce budou spolu pov\u00eddat. Jejich mikrofony jsou vypnut\u00e9 a\u00a0my je v\u016fbec nesly\u0161\u00edme. Kdy\u017e pozoruji jejich gesta a\u00a0mimiku, st\u00e1le v\u00edce si uv\u011bdomuji, \u017ee to, na co se d\u00edv\u00e1m, je sp\u00ed\u0161 n\u011bjak\u00e9 p\u0159edstaven\u00ed ne\u017e dialog. Nem\u00e1 to informa\u010dn\u00ed aspekt. Zb\u00fdv\u00e1 ot\u00e1zka, jak\u00fdm jazykem spolu komunikuj\u00ed. S\u00a0velkou pravd\u011bpodobnost\u00ed ob\u011bma jazyky sv\u00e9ho dne\u0161n\u00edho pracovn\u00edho dne.<\/p>\n
Chcete-li tip, jak interpretovat n\u00e1sleduj\u00edc\u00ed v\u00fdstavu, navrhuji zam\u011b\u0159it se na prost\u0159ed\u00ed sp\u00ed\u0161 ne\u017e na jednotliv\u00e9 artefakty per se.<\/p>\n
V\u00a0um\u011bleck\u00e9 praxi Anu sledujeme, jak jsou ban\u00e1ln\u00ed p\u0159edm\u011bty z\u00a0prost\u0159ed\u00ed kolem n\u00e1s vizu\u00e1ln\u011b a\u00a0kontextu\u00e1ln\u011b p\u0159em\u011bn\u011bny na abstraktn\u00ed obrazy a\u00a0artefakty. Co bylo d\u0159\u00edve nepov\u0161imnut\u00fdm fragmentem interi\u00e9ru, st\u00edsn\u011bn\u00fdm z\u00e1kout\u00edm nebo jednoduch\u00fdm tvarem b\u00edl\u00e9 kostky, je o\u017eiveno gestem um\u011blkyn\u011b a\u00a0st\u00e1v\u00e1 se um\u011bleck\u00fdm d\u00edlem. Tak je to jednoduch\u00e9. Nebo ne zas tak docela?<\/p>\n
Prost\u0159ed\u00ed je reprodukov\u00e1no a\u00a0p\u0159em\u011bn\u011bno na d\u00edlo um\u011bleck\u00e9 abstrakce.
\nKl\u00ed\u010dov\u00e1 slova: animace, koncept, \u010distota.<\/p>\n
Podobn\u00e1 taktika je p\u0159\u00edtomna v Martinov\u00fdch malb\u00e1ch. Abstraktn\u00ed pl\u00e1tna u\u017e sv\u00fdm p\u0159edur\u010den\u00edm v\u00a0b\u00edl\u00e9 a\u00a0steriln\u00ed kostce pouze nevis\u00ed. Nav\u00edc je\u0161t\u011b \u201ckontaminuj\u00ed\u201d prostor kolem sebe, tak\u017ee v\u00fdraz t\u011bchto obraz\u016f se \u0161\u00ed\u0159\u00ed d\u00e1l a\u00a0zapl\u0148uje galerii v\u0161emo\u017en\u00fdmi druhy objekt\u016f, a\u0165 jsou to boty, s\u00edt\u011b, d\u0159ev\u011bn\u00e9 desky nebo v\u00fdtisky banner\u016f.<\/p>\n
Abstraktn\u00ed um\u011bleck\u00e9 d\u00edlo ovliv\u0148uje prost\u0159ed\u00ed a\u00a0m\u011bn\u00ed je v\u00a0environment\u00e1ln\u00ed instalaci.
\nKl\u00ed\u010dov\u00e1 slova: gesto, v\u00fdraz, kontaminace.<\/p>\n
Pokra\u010dov\u00e1n\u00ed p\u0159\u00ed\u0161t\u011b…<\/p>","protected":false},"excerpt":{"rendered":"
Tlumo\u010dnick\u00e1 kabina V\u00fdstava o dvou kapitol\u00e1ch. Anu Vahtra a Martin Luka\u010d Kur\u00e1tor Piotr Sikora Ignotum per ignotius Nezn\u00e1m\u00e9 pomoc\u00ed je\u0161t\u011b […]<\/p>\n","protected":false},"author":2,"featured_media":620,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[19,4],"tags":[],"class_list":["post-611","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibitions-homepage","category-exhibitions","wpautop"],"acf":[],"_links":{"self":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts\/611","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/comments?post=611"}],"version-history":[{"count":7,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts\/611\/revisions"}],"predecessor-version":[{"id":1713,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts\/611\/revisions\/1713"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/media\/620"}],"wp:attachment":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/media?parent=611"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/categories?post=611"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/tags?post=611"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}