\u010cty\u0159i obsahov\u011b a tematicky odli\u0161n\u00e9 pr\u00e1ce stoj\u00ed okolo jak\u00e9hosi prost\u0159edku, kter\u00fd v jejich setk\u00e1n\u00ed vyvst\u00e1v\u00e1 a kter\u00fdm je zhmotn\u011bn\u00e1 dekonstrukce fotografick\u00e9ho vn\u00edm\u00e1n\u00ed. V\u0161echny pr\u00e1ce zd\u016fraz\u0148uj\u00ed nap\u011bt\u00ed mezi povrchem a vnit\u0159kem, ur\u010ditou t\u011bkavost vystup\u0148ovanou do momentu st\u0159etu, rozporu, sr\u00e1\u017eky.<\/p>\n
Obrovsk\u00e1 akumulovan\u00e1 s\u00edla a energie se uvol\u0148uje v jedin\u00e9m okam\u017eiku exploze raketopl\u00e1nu Challenger z 28. ledna 1986 zp\u016fsoben\u00e9 koliz\u00ed pl\u00e1\u0161t\u011b palivov\u00e9 n\u00e1dr\u017ee p\u0159\u00eddavn\u00e9ho motoru.<\/p>\n
Oblak v\u00fdbuchu zachycen\u00fd ve fotografick\u00e9 sekvenci analogov\u00e9ho otisku na ob\u00e1lce \u010dasopisu Time, kter\u00fd vymr\u0161til sedmi\u010dlennou pos\u00e1dku p\u0159i pln\u00e9m v\u011bdom\u00ed do v\u00fd\u0161e dvaceti kilometr\u016f, ne\u017e jej\u00ed kabina po dvou a p\u016fl minut\u00e1ch p\u0159i p\u0159et\u00ed\u017een\u00ed 200g narazila na vodn\u00ed hladinu, n\u00e1m v ostrosti a sytosti barev umo\u017e\u0148uje jeho ohnivou kouli t\u00e9m\u011b\u0159 fyzicky uchopit, prostr\u010dit prst ruky uchem vykreslen\u00fdm kou\u0159e jedn\u00e9 z paraleln\u00edch exploz\u00ed.<\/p>\n
Digit\u00e1ln\u00ed obraz sta\u017een\u00fd z internetov\u00e9 fotobanky a vyti\u0161t\u011bn\u00fd v deseti tis\u00edc\u00edch kopi\u00ed v\u00e1\u017e\u00edc\u00edch n\u011bkolik set kilogram\u016f roste do v\u00fd\u0161e, ze kter\u00e9 jeho trosky spadly.<\/p>\n
Vivisek\u010dn\u011b odhalen\u00e9, do naha svl\u00e9knut\u00e9 veden\u00ed infrastruktury ledabyle vyfocen\u00e9 autorem ost\u0159e kontrastuje s okoln\u00edm neforemn\u00fdm bl\u00e1tem a hl\u00ednou, do jej\u00ed\u017e beztvar\u00e9 \u010dern\u00e9 hmoty se rozpad\u00e1 zrnitost xeroxov\u00e9 fotografie stroje, jeho\u017e kabely nap\u00e1j\u00ed.<\/p>\n
Sk\u00e1la star\u00e1 stovky milion\u016f let se v jedin\u00e9m okam\u017eiku rozpad\u00e1 v plo\u0161e lomu. Ostr\u00e9 hrany kamen\u016f kontrastn\u011b vymezuj\u00ed jejich ohrani\u010denost a prehistorickou ignoranci k okol\u00ed.
\nB\u00edle nat\u0159en\u00fd povrch kamen\u016f hroudy odhmot\u0148uje, \u010din\u00ed je pr\u00e1zdn\u00fdmi slupkami. Z\u00e1rove\u0148 v\u0161ak jejich kamenovost je\u0161t\u011b zd\u016fraz\u0148uje.<\/p>\n
Nedostupn\u011b uzav\u0159en\u00e1 za p\u0159edn\u00edm sklem v chromov\u00e9m r\u00e1mu bly\u0161t\u00edc\u00edm se odrazem sv\u011btla p\u0159eklik\u00e1v\u00e1 ru\u010di\u010dka hodin na hyperrealistick\u00e9 animaci prom\u00edtan\u00e9 na zdi.<\/p>\n
Dvojice hodin nen\u00ed videem ve smy\u010dce, p\u0159ehr\u00e1van\u00fdm obrazem plynut\u00ed \u010dasu, ale po\u010d\u00edta\u010dov\u00fdm programem zobrazuj\u00edc\u00edm jako virtu\u00e1ln\u00ed zhmotn\u011bn\u00ed oscilace elektronick\u00e9ho krystalu \u010das skute\u010dn\u00fd. Jeho manipulac\u00ed \u2013 posunem synchronizace s centr\u00e1ln\u00edm bezdr\u00e1tov\u00fdm sign\u00e1lem sv\u011btov\u00e9ho \u010dasu \u2013 vznik\u00e1 jak\u00e1si mezera \u2013 antiprostor, kter\u00fd nen\u00ed ani skute\u010dn\u00fd, ani virtu\u00e1ln\u00ed.<\/p>\n
Dekonstrukce fotografick\u00e9ho vn\u00edm\u00e1n\u00ed ukazuje, jak se fotografie st\u00e1v\u00e1 motivovanou.<\/p>\n
Motivovanost znamen\u00e1 siln\u00fd motiv stejn\u011b jako d\u016fraz na form\u00e1ln\u00ed \u00fadernost a nal\u00e9havost zobrazen\u00ed.<\/p>\n
Motivovanost je doxou digit\u00e1ln\u00ed cirkulace a obrazov\u00e9ho p\u0159esycen\u00ed: rozpoznatelnosti, srozumitelnosti a ostrosti. Je o ztr\u00e1t\u011b kontextu, popisky, vysv\u011btlen\u00ed, ale z\u00e1rove\u0148 po\u017eaduje naprostou p\u0159esnost ve vztahu k \u017e\u00e1nru, asocia\u010dn\u00edmu \u0159et\u011bzci, archetypu.<\/p>\n
Pe\u010dliv\u011b zkonstruovan\u00e9 posti\u017een\u00ed dan\u00e9 definice v individu\u00e1ln\u00edm p\u0159\u00edkladu umo\u017e\u0148uje uspokojiv\u00fd pocit zam\u011bnitelnosti nebo libovolnosti konkr\u00e9tn\u00edho.<\/p>\n
Chybami nenaru\u0161en\u00e9 zapadnut\u00ed, zakliknut\u00ed obrazu do existuj\u00edc\u00edch ment\u00e1ln\u00edch struktur.<\/p>\n
Zobrazen\u00fd exempl\u00e1\u0159 je ide\u00e1ln\u00edm reprezentantem \u201cdruhu\u201d. A pr\u00e1v\u011b jen d\u00edky tomu se zd\u00e1 b\u00fdt a\u017e n\u00e1hodn\u00fd, libovoln\u00fd.
\nUkazuje moment, ve kter\u00e9m se konkr\u00e9tn\u00ed transformuje v obecn\u00e9. Ale z\u00e1rove\u0148 ur\u010dit\u00fd chlad, vypo\u010d\u00edtavost a tichou n\u00e1silnost tohoto procesu od\u0159ez\u00e1n\u00ed, vytrhnut\u00ed, chycen\u00ed.<\/p>\n
kur\u00e1tor: Michal Novotn\u00fd
\n<\/p>","protected":false},"excerpt":{"rendered":"
\u010cty\u0159i obsahov\u011b a tematicky odli\u0161n\u00e9 pr\u00e1ce stoj\u00ed okolo jak\u00e9hosi prost\u0159edku, kter\u00fd v jejich setk\u00e1n\u00ed vyvst\u00e1v\u00e1 a kter\u00fdm je zhmotn\u011bn\u00e1 dekonstrukce fotografick\u00e9ho vn\u00edm\u00e1n\u00ed. V\u0161echny […]<\/p>\n","protected":false},"author":2,"featured_media":733,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[19,4],"tags":[],"class_list":["post-727","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibitions-homepage","category-exhibitions","wpautop"],"acf":[],"_links":{"self":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts\/727","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/comments?post=727"}],"version-history":[{"count":4,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts\/727\/revisions"}],"predecessor-version":[{"id":751,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/posts\/727\/revisions\/751"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/media\/733"}],"wp:attachment":[{"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/media?parent=727"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/categories?post=727"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/drdovagallery.com\/cs\/wp-json\/wp\/v2\/tags?post=727"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}